order of the temple
An appetising aroma of sheep’s cheese and smoked chorizo sausages wafted through the stalls of Estremoz’s famous Saturday market. This weekly extravaganza shows off the best of the Alentejo’s local produce, including olives, chutneys, honey, fruit, vegetables and colourful ceramics. It is also home to a superb ‘flea market’ with stalls offering everything from coin collections to cowbells! The market is held in the Rossio Marquês de Pombal, a vast square at the town’s centre.
Estremoz exudes a real feeling of elegance and wealth, because high-grade white marble has been extensively used in the construction of its churches, civic buildings, streets and squares. So plentiful is the availability of top quality marble from the many quarries in this part of the Alentejo, that Estremoz and the nearby towns of Borba and Vila Viçosa have even used it for the doorsteps of their humblest cottages.
Unseasonal rain and a chill wind cut short our perusal of the flea market so we scuttled away to visit another of Estremoz’s attractions, the celebrated Café Águias d’Ouro (Golden Eagles Café). Built early in the 20th century, this art nouveau coffee house has long been famed for political debate, so we were not surprised to be surrounded by men emotionally discussing the weighty matters of local politics. Here was a café with just the kind of atmosphere one reads about in Portuguese literature.
Next to the Rossio, there is a peaceful municipal garden and the picturesque Lago do Gadanha (Lake of the Scythe), named after its central scythe-wielding statue. Nearby are a couple of splendid churches – the Igreja de São Francisco and the Convento dos Congregados, the latter of which is also home to a museum of sacred art.
As the rain turned even heavier, we decided to cross the square to visit one of Portugal’s national monuments, the Convento das Maltesas. This historic building, once a hospital, has a charming cloister at its centre and houses Estremoz’s ‘Live Science Centre’ (Centro de Ciência Viva). It is a very impressive interactive and educational science museum, where children of all ages can learn about the wonders of our planet. Perfect for stimulating scientific curiosity!
The old city of Estremoz
The ‘Cidade Velha’ (old city), with its palace and castle, stands defiantly on top of the hill overlooking the new town far below. It is reached by following a labyrinth of narrow winding streets and through two sets of impressive medieval walls, the construction of which began in 1261. Estremoz Castle is the town’s classic landmark, built during the 13th century as a defensive fortress. Within this fortification, King Dinis later built a palace where he lived with his wife Isabel of Aragon. Queen Isabel was famously generous to the poor and gained the status of a saint amongst the local population. She even has a tasty almond-flavoured cake, the ‘Bolo Rainha Santa’, in her name.
The castle has an imposing 27m high tower made from white marble, and the palace next door has been converted into a luxurious Pousada. This majestic hotel was our comfortable home during our time in Estremoz and boasts two magnificent lounges and a stately dining room, all containing a fantastic array of period Portuguese furniture. The top of the tower is reached by access through the Pousada and has a wide-ranging view of the Alentejo landscape. There is a chapel to the saintly Queen Isabel behind the palace and her own skillfully carved statue stands in the square close to the base of the tower. However, she does look rather glum!
This same square also gives access to the Igreja de Santa Maria, built between the 16th and 17th centuries, and the fascinating Museu Municipal. Built in the Manueline style, the lovely Santa Maria church has tombstones emblazoned with coats-of-arms of many notable Portuguese families.
The museum has an eclectic display of Alentejana objects on show, from exquisitely carved figures in wood and cork depicting rural activities, to rooms depicting local life in the 19th century. But it is the colourful ‘Bonecos de Estremoz’ that catch the eye! Literally translated as ‘Dolls of Estremoz’, there are 500 of these colourfully-painted figurines made from clay. This original folk art is more than three centuries old and in 2017 was classified by UNESCO as an Intangible Cultural Heritage of Humanity.
We discovered that the restaurant A Cadeia Quinhentista (Old 16th Century Gaol), just behind the Santa Maria Church, had some great examples of the best of Alentejana cuisine. Its menu was stacked with interesting local dishes – from ‘Pézinhos de Coentrada’ (pork’s feet with coriander) to the famous dessert ‘Sericaia’ (egg pudding served with cinnamon and plum syrup).
Elvas and Evoramonte
No visit to this part of the Alentejo would be complete without seeing something of Elvas and Evoramonte. Elvas is a wonderfully preserved fortress town located further east, close to the Spanish border, and justifiably popular with military historians. It was the first line of defence against Spanish invasion and its walls were designed so that no side was left unprotected – resulting in a unique star arrangement of battlements.
Essential for outlasting a protracted siege was a reliable supply of clean water, and this was ensured by construction of a long and impressive aqueduct. Elvas managed to fend off three separate Spanish sieges, only falling in 1808 during the Napoleonic wars. We spent a fascinating day exploring the town’s cobbled streets, churches, the ancient castle and the impressive battlements.
Evoramonte is one of the Alentejo’s lesser-known jewels. This ancient little town to the west of Estremoz has a medieval quarter straddling a ridge 481 metres in height. A good road winds its way to the top and we parked close to its pretty church and immaculately-kept cemetery. The 16th century castle, built in the Italian renaissance style, is perched at the other end of the settlement at the highest point and offers remarkable views.
It was a joy to stroll along the one and only street, deserted on a bitterly cold day, and we just couldn’t resist purchasing a bottle of the local wine at the village gift shop. This became the final part of our simple Alentejo lunch at home the following day – delicious smoked chorizo, tangy sheep’s cheese, olives and wonderful Alentejo bread followed by a tasty ‘Bolo Rainha Santa’. Happy memories!
By Nigel Wright
Nigel Wright and his wife Sue moved to Portugal 13 years ago and live near Guia. They lived and worked in the Far East and Middle East during the 1980s and 90s, and although now retired, still continue to travel and seek out new cultural experiences. His other interests include tennis, gardening and photography.
There is a part of Spain, within a day’s drive of the Algarve, that you may have never heard of, let alone visited. If I’m right, you have been missing something interesting.
I’m talking about the Duero River valley. If you have driven north through Spain, heading for France or Britain, you have almost certainly driven from Salamanca through Valladolid and on to Burgos and Santander or Bilbao or France. You have driven right across the Duero River just south of Valladolid in the small town of Tordesillas.
The Duero River rises near Soria and runs from east to west through the provinces of Valladolid and Zamora before it forms the Spanish-Portuguese border for a while. When it enters Portugal, it changes its name to become the Douro and splashes on west to Porto and the Atlantic.
We all know the wonderful Douro wines – but you may not be aware of the fact that, in Spain, this river nourishes some very excellent Spanish wines, too.
There are a number of DOs (Denominación de Origen) that depend on the special climactic effects created by the Duero. The best known are the Ribera del Duero (home of Vega Sicilia, which is arguably Spain’s greatest wine) to the east of Valladolid and Rueda to the south of Tordesillas, but excellent, though lesser known, wines are also produced in the DOs of Cigales, north of Valladolid, and in Toro, Zamora and Los Arribes, all in the province of Zamora.
The red wines of Valladolid province are primarily made with the Tempranillo varietal and the whites with Verdejo or, increasingly, Sauvignon Blanc. In Zamora province, Tempranillo (here often called Tinta de Toro or Tinta del Pais) is equally as important but Garnacha and Juan Garcia are gaining in usage. Almost all the wines produced in both provinces are single varietals rather than blends and it is only in the Rueda DO that white wines are produced in quantity.
The Toro wines were so prestigious that King Alfonso IX of Léon conceded privileges for their production in the 12th century and Columbus took Toro wine on his 1492 expedition, because it could survive long journeys due to its structure and body.
A group of us recently wanted to experience the various Duero wines in situ, so we used the harvest festival in Toro (Fiesta de la Vendimia) in mid-October as our excuse to spend a week tasting wines, eating some wonderful Castillian tapas and looking at the scenery and architectural wonders of the area.
Our base was the Hotel Juan II in Toro, overlooking the Duero and right next to the magnificent collegiate church of Santa Maria la Mayor, a really beautiful combination of Romanesque and Gothic architecture that was begun in 1160.
Not far away was the impressive Monasterio de Sancti Spiritus, founded in 1307 and home to a lovely collection of religious art and a beautiful Romanesque cloisters. More interesting, from our point of view, was the beautiful alabaster sarcophagus of Beatriz of Portugal, only child of King Ferdinand I and, in 1383, wife and Queen Consort of King Juan I of Castille.
Our tour took us to the Los Arribes DO, a long, narrow strip of rocky slopes along the eastern banks of the Duero on the Portuguese border (the name “Arribes” derives from the Latin ad ripam, which means “on the banks of”). The terroir is so hardscrabble and dry it is amazing that any wine at all can be grown, but, in fact, we tasted some quite drinkable ones. We also had the opportunity to take a cruise in the international waters of the ”Grand Canyon” of the Arribes del Duero. It was quite spectacular.
On our way back to Toro we stopped in Zamora for a walk around the old town, a look at the cathedral built in the mid-12th century, with its graceful cupola covered with scallop tiling, and an excellent dinner in one of the province’s finest restaurants, El Rincón de Antonio, the tasting menu of which was, of course, complemented by very tasty Rueda white and Toro red wines.
The Toro Fiesta runs over four days, and, during it, the town’s population swells from just under 10,000 to about 30,000, with the influx being almost entirely Spanish tourists.
The townsfolk are dressed in medieval costume and the celebrations are capped by the Gran Torneo de Justas Medieval on Saturday afternoon in the very rustic bullring. This is an hour long pièce de theatre, by four knights-errant and their pages, of (simulated) jousting, sword play and various pranks, all played for laughs to the vast amusement of the crowd. Of course, the knight representing Castille “won”, at the expense of the insipid (and probably drunk) knight representing Portugal and the mean and ugly black knight. Cheers all around.
On a political note, our visit was just after the “referendum” vote in Catalonia, and we were struck by the vibrant nationalist spirit in evidence all around us. There were many Spanish flags displayed prominently – a practice that, until now, had been rather frowned upon as being slightly fascist. It was clear that, while the illegal vote may have been divisive vis-à-vis Catalonia, it had certainly brought the rest of Spain closer together as a nation.
Our drive back home on the Sunday (with a boot full of good Spanish wine) was about 750km, all autoroute, and covered in about six hours – leaving time for a good tapas lunch on the way. Viva España!
By Larry Hampton
The beautiful round castle of Arraiolos, Portugal, once held by the Order of Christ, was the centerpiece of the traditional Pentecost celebrations of the Grand Priory of Portugal of the OSMTHU.
Just like the Templar Beauceant, the flag with a white field and black field, the traditional adoubement ceremony takes place in the light and in the dark. It starts during the day but soon it goes into the depthness of night, from an opened enlightened world into a closed tight womb of meditation where the future knight in silent vigil hopes for the deliverance of light. In hope and faith, the knight is delivered.
Study and Instruction time
Time to savor the fruits of fraternal friendship
Preparing for sunset – the light subsides to darkness
In darkness we work in hope of light
Great blessings come to those who wait
“Veni, Créator Spíritus,
Mentes tuórum visita,
Imple suprema grátia,
Que tu creásti, péctora.
Qui díceris Paráclitus,
Donum Dei altíssimi,
Fons vivus, ignis, cáritas
Et spiritális únctio.
Tu septifórmis múnere,
Dextrae Dei tu digitus,
Tu rite promissum Patris
Sermóne ditans gúttura.
Accénde lumen sénsibus
Infúnde amórem córdibus,
Infírma nostri córporis,
Virtúte firmans pérpeti.
Hostem repéllas lóngius
Pacémque dones prótinus;
Ductóre sic te praévio
Vitémus omne nóxium.
Per te sciámus da Patrem
Noscámus atque Filium,
Te utriúsque Spíritum
Credámus omni témpore. Amen.”
The planning was meticulous. Signed and sealed, laden with accusation and instruction, the letters were sent by the king to local authorities throughout his realm. They were to act exactly one month later, simultaneously and at the crack of dawn — on a Friday the 13th, as it happened. The targets were unaware of what lay in store, their leader even spending time with the king and seeming to enjoy his favor. The hour came, and armed men launched their surprise, summarily carrying off hundreds to the king’s dungeons, and many ultimately to their deaths. It was a performance reminiscent of a Stalinist purge or Hitler’s Night of the Long Knives.
The year was 1307, and the month was October. The king was Philip IV of France. And his victims were all members of the order of “the Poor Fellow-Soldiers of Christ and the Temple of Jerusalem,” better known as the Knights Templar — or simply the Templars. Over a period of two centuries, this charitable and military order of Crusaders had grown in power and wealth. At a stroke, and with the acquiescence of a weakened pope, Philip destroyed the order, imprisoning its leaders and burning many at the stake. “God will avenge our death,” said James of Molay, the last Grand Master, as he faced the flames on an island in the Seine.
And, in a way, God has. The Templars live on in popular culture — from the video game “Assassin’s Creed” to Dan Brown’s “The Da Vinci Code.” Philip IV does not.
Dan Jones, the author of well-regarded histories of the Plantagenets and the Wars of the Roses, obviously gives no credence to the conspiratorial fantasies that have been spun around the Templars over the years. No, they do not guard the Ark of the Covenant or the Holy Grail, and never did. No, a surviving remnant does not protect the identities of the descendants of Jesus and Mary Magdelene. No, the order does not secretly run the world — that’s the Trilateral Commission or maybe Skull and Bones. In “The Templars,” Jones relegates this curious afterlife to an epilogue. His aim is to present a gripping historical narrative, and in this he succeeds.
The raw material is rich. Founded by a French knight in 1119, after the successful First Crusade, the Templars began with a mission to protect throngs of pilgrims now traveling to the Holy Land. The members of the order wore white robes with a distinctive red cross, embraced personal poverty and lived according to a regime codified by the great Cistercian abbot Bernard of Clairvaux. A papal charter was followed by a papal decree granting the Templars an exemption from taxes and local laws, effectively creating a transnational entity whose members could go anywhere. As Jones describes it, the order comes across as a combination of Blackwater, Goldman Sachs, Kroll International, FedEx, Fort Knox, Bechtel and, well, the Red Cross.
The financial acumen of the Templars was considerable. In the post-“Da Vinci Code” era, visitors to London often make their way to the Temple Church, between Fleet Street and the Thames, built in the mid-12th century. The circular nave — typical of Templar churches — is the oldest part of the structure and was used as a repository by English nobles and by the Crown itself. “By the 1240s,” Jones writes, “the order was providing diverse financial services to some of the richest and most powerful figures across Christendom.” The Templars “guaranteed debts, ransomed hostages and prisoners of war on credit, and could arrange very large loans — such as the one made in 1240 to Baldwin II, the emperor of Constantinople, and secured by his very own fragment of the True Cross.”
The order’s military record was mixed. In 1187, an army of Templars and others, under King Guy of Jerusalem, was surrounded and slaughtered by the sultan Saladin in his successful campaign to restore Palestine to the Muslim fold. Saladin had played his hand skillfully: stopping up wells even as he enticed the Christians farther into the searing flats; pausing long enough to allow dehydration to take its toll; then moving in for the kill. Some 200 Templars were captured, and Saladin beheaded them all.
That was an unhappy episode, but the Templars had another century of influential life in front of them, until that Friday the 13th in 1307. Philip IV was pious, paranoid, unscrupulous and mercurial — and deeply in debt to the Templars. It was all too easy to manufacture charges of heresy, blasphemy and sexual depravity: urinating on the cross, having sex on the altar — the usual allegations. The power and secretiveness of the Templars only fueled the charges. The decisive blow was struck in France, but within a few years the Templars were extinct throughout Christendom, except in the popular imagination.
“The themes of the Templar story resonate powerfully today,” Jones observes. He rightly does not pontificate about this and draws no specious parallels, but the reader can’t help recognizing familiar territory. There is the preoccupation in the West with what we now call the Middle East. Religions collide and atrocities abound. Cries of “Allahu akhbar” pierce the din of battle. The power of states is threatened, or seen to be threatened, by unaccountable forces with global tentacles. Information is unreliable and easily manipulated, allowing conspiracy theories to take root and spread.
Nothing is left of the Templars except words on parchment and ruins in stone. An older crusading order with certain similarities, the Knights Hospitaller, does still exist, after a fashion — its genetic progeny are the Knights of Malta. They have a palatial headquarters on the Aventine in Rome. They have a papal charter and enjoy quasi-sovereign status. They can issue their own passports. They maintain diplomatic relations with a hundred countries. And, like the Templars, they do not rule the world.
By Cullen Murphy in The Washington Post
Tom Cullen Knightfall Interview:
Did you have to do any extra training or had you already known how to use the sword?
Tom Cullen: “In drama school in the UK we do a lot of fight training, and so I’d done a lot of sword training prior. And,I found that I had the propensity for killing people, ironically. (Laughing) So, I’d actually done extra exams and had some practice while studying in drama school but that was about eight years ago. I hadn’t swung a sword in about eight years, so it was all very new in many respects.
The stunt team that we had was led by an amazing Frenchman, Cédric Proust. He is a top stuntman and fight choreographer. He really put us through it and we had a great swordsman called Roman. The entire team wanted us to be at a very, very high level. Every day on set they would drill us and I did about three months of physical training beforehand to get myself and my body ready for the fighting portion of my character and the series.
We also did a two and a half week boot camp where we would walk in the morning and do some circuit training and then do fighting in the afternoon. Later, we’d go horse riding and do some more sword training and then we would go to the gym. When it came to the actual filming, because there were a lot of fight scenes I was filming 14 hours a day doing scene work and then I’d have to do my fight training either on my lunch breaks or on the weekends. Any kind of second in the day that I did have I would fill it by going up to the stables and ride.
Working on Knightfall was a full-on experience because the team wanted it to look authentic and real, and when you watch the fights they are absolutely incredible. I’m so proud of all of the actors who’ve participated in the battles because we’ve really done a great job. The stunt guys have really trained us well and they’re epic battles and muddy and gruesome. And they feel very real, which I think is something I’m very proud of.
There is an incredible battle sequence in the final episode which is the biggest thing I’ve ever been involved in. We had like 400 guys on a battlefield fighting for about two weeks. It’s epic and amazing. And the real geek, nerd in me – because I am one – just can’t believe that I’m in it. I’m extremely proud of it.”
How much research did you do?
Tom Cullen: “Whenever I have done a historical piece, I think it’s imperative that you have to bathe yourself in as much literature to understand the world as much as possible, so that when you get onto the set, the world is just vibrating inside you. I wanted to know as much about the Crusades and about the politics at the time. Not just the politics in Europe or in the Middle East, but also Mongolian politics because they had a huge influence.
You just need to immerse yourself in the world and know everything that these men would have known, understand every single permutation and the political permutation that is affected where they are at this point and what drives these men and women to do the things that they do. I think that’s something that you have to do, otherwise it’s just lazy and in a way unforgivable because at that point that’s where you make mistakes.
You take history for granted and history should never be taken for granted because it’s essential for us furthering ourselves as a society and as a culture, because the one thing that history teaches us is that it’s cyclical. And so, yes, I read a lot and we had a fantastic historian on set. His name is Dan Jones. He’s just released an amazing book that you must read called The Templars which is on the New York Times Bestseller’s List. It’s brilliant. He was there on hand at all times feeding into us and making sure that what we were portraying was as accurate as possible. Anything that would come up in the script that we didn’t know, we would use him as a source of knowledge and he would say, ‘Go and read this, go and read that,’ or just tell us because he’s a real fountain of knowledge.
And that wasn’t just the access that put me in the world of the Knights Templar. […] The costume design, the art direction, the production design, makeup, etc. it was all so dense and real that you feel like you’re right in it as soon as you turn up on set. It’s just all there for you, you know, and you can really immerse yourself into the world.
The days we spent on set were amazing. We filmed on the biggest sets in Europe at Barrandov Studios. They built Medieval Paris. I’ve never seen anything quite like it. In the show, I have to do this shot where I’m riding down this nearly 200-meter long street that they built. And there are 350 extras and each extra has a job, each extra has a name. And it’s live, real world and you just forget that the cameras are there because it’s so extraordinary.
Our costume designer, Diana Cilliers, was amazing. I remember the first time we did our screen test, which is where you put on the costume in front of camera and you kind of like pose and walk around so they can see what it looks like on camera with the makeup and the hair and all of that kind of stuff. I remember putting the costume on, the chainmail and everything, and it weighed 50 pounds which was like an insane amount of weight. I struggled to walk down the corridor to get to the studio to do the screen test.
I was like, ‘Guys, why is the costume so heavy? How are we supposed to move and fight in this?’ And the answer was that Diana tried out lighter material such as plastics and other materials but they just didn’t look authentic. And so they put us in the most authentic costume that they could and we just had to deal with it. We got bigger and we got stronger, and so very quickly we were able to run and jump, get on horses in the 50-pound costumes and do everything that we needed to do to play our parts. But, you know, you can see the difference in the way that the costumes move and the way that your body moves in them. It’s just authentic and I think it makes for a very real experience when watching the show.”
Can you talk about Landry’s relationship with Godfrey, played by Sam Hazeldine?
Tom Cullen: “So the relationship that Landry has with Godfrey runs throughout the entire first season. And so in episode one, Godfrey is Landry’s surrogate father. Landry was an orphan and Godfrey essentially took him in and saved him from this orphanage. And so because of the promise Godfrey saw in him, Landry became a Templar at the age of 11 which is very, very, very rare.
One of the Templar rules is that you must become a Templar of your own volition because it’s such a monastic lifestyle where you do things like eat your food out of the same bowl as another man. There’s no vanity, there’s no possessions. It’s completely monastic. And so it’s very rare for a young boy to join the Templars like Landry did.
So, Godfrey becomes Landry’s father and as the season goes on, in episode one there is a truth revealed to Landry about Godfrey that he didn’t know. And Landry, like a classic hero that we all know, as the protagonist, he hunts and searches for the truth at all costs. He is like a boar who gets physically beaten, emotionally beaten and he just gets back up by himself and charges towards the truth.
Godfrey is pivotal in that circle of truth that Landry is striving towards and it isn’t a very easy journey for Landry to go on throughout the first season. But, it’s a very satisfying journey for the viewers. Every time the scripts would come in there would be a new revelation and it would be a new shock and a new turn and it was very cool to read and really fun to play. I hope that the audience enjoys it as much as we enjoyed making it.”
Is any particular theme or aspect to Knightfall you think will really resonate with the viewers?
Tom Cullen: “Yes, sure. I think what I’m very proud of in the show is that you can kind of look at the show objectively from the outside having not seen it and say, ‘Oh, this is about guys swinging swords and that’s what the show is about,’ but the show is so much more than that. The show is about politics. We have a lot of stuff that takes place in the French Court at the time, dissecting and breaking down the politics and the machinations of political interplay, which I just love that kind of stuff.
It has a fantastic central spine through the show; an amazing love story which I’m surprised at how strong and moving that story was as we were filming it. It kind of grew into this thing that we had no idea it would become. The show talks about revenge and betrayal, brotherhood, loyalty, faith, humanity and mortality. I think that it raises really big questions about who we are whilst at the same time being really kind of fun and entertaining. So, that takes you on a really wild journey.
And, so I truly believe the show has something for everybody. I think that it is by no means a gendered show. I think that women would love it as much as men will love it and that is something I’m really proud of, too. It has fantastic, strong female characters. They are actually probably stronger than all of the male characters and they’re just as complex and rich as the male counterparts, and it’s very moving. I’ve watched the last episode three or four times now and I’ve shed many tears every single time. It’s a great rollercoaster.”
What do you like about the medieval time period?
Tom Cullen: “I’ve always been obsessed with the Medieval time period because I think it’s a time that we can look back on and learn from. And, actually, 800 years isn’t that long ago and that this is the time really when the world that we live in today was created and formulated. We’re still feeling the repercussions of the actions and choices the people made in the medieval period today.
It’s also a period that is grimy and dirty and dangerous. The line between life and death is so thin, it’s really interesting to learn about. And I think that’s a fantastic place to make a drama in. It’s a very rich world since life and death was so next to each other, and it’s world rich in terms of human wants and needs. Nowadays our lives are reasonably comfortable for certain people, especially in America. We typically don’t have that kind of life and death threat every single day where we are going to drop down with scurvy or have to go into battle.
So, our choices aren’t as drastic. But if you have a lifespan of 35 years, every choice you make is loaded. And so I think that the world of the Medieval period is one of very high octane and people making life and death choices every single move. And that, for me, is an exhilarating period of time to make a drama in.”
How do the scenes in Knightfall resonate in your own life? How do you draw on your own life to play the part of Landry?
Tom Cullen: “That’s such a good question. On the paper, it isn’t necessarily very easy to draw on myself, and I think that I like to work as an actor from the places of truth instead of drawing on myself as an empathetic being. Well, I’ve had some experiences personally that I put it into Landry but not many. I worked in an empathetic way, anyway where I try and put myself into the character’s body and some kind of lose myself as much as possible. And so my thoughts and my character’s thoughts were somewhat separate as opposed to my own.
I don’t really like to draw on my own experiences. I feel that’s confusing and muddied and I don’t think it’s very healthy. So, it wouldn’t have been very healthy for me to continue working in that way and it’s not why I’m an actor. But the themes that were very resonant with me in the show, that resonated with me as a reader and as a viewer and as an actor, are ones of brotherhood and loyalty, love and lust, and denying one’s own happiness, complexity in relationships with a father and feelings of abandonment. All of that stuff really resonated with me.”
Do you believe that because Landry became a Templar at such a young age that’s why he was able to rebel against that part of his vow and enter into a romantic relationship?
Tom Cullen: “I think that when we first meet Landry at the top of episode 1 he is 20, and he is brash and young. He is a maverick, incredibly cocky, and is kind of emboldened by the fact that he has God on his side and he thinks that he’s invincible, which I think a lot of 20 year-olds think, regardless of whether they have God on their side or not. I know I certainly felt like that.
But what we see at the top of episode one is his entire life flipped upside down when they lose Acre, the last Templar stronghold in the Holy Land and they lose the Holy Grail. And so we flash forward 15 years and when you’ve been brought up as a as a warrior, and that’s all you know, everything you know, it’s a tough reality to deal with. He’s like a caged animal, unable to fulfill what he thinks is his only purpose and duty which is to fight.
And so when we meet him, he is this very, very complex, pulled apart guy in episode one. He is battling with his humanity and he is secular yet he is also still mentally devout. He is very loyal to his brothers, his family, yet he is lying to them. He is having an affair with a woman yet he is a monk. He is the bravest, most fearless warrior, yet he’s starting to feel a sense of his own mortality. I think that’s why he kind of falls in love with this woman. It’s not that he’s doubting God or that he’s doubting the Templars or religion, but that he’s doubting himself. He is in a conflict, in a battle with himself, which are the stories that I love to watch where your hero is so full of contradiction and battle and personal complications. And throughout the first season, we see him work through that and battle through that and try and find out who he really is. It’s an awesome journey for me to play and to take viewers on.”
Did you discuss what would happen moving forward with the series, where it might go in seasons two, three or four? Were you given an idea of Landry’s entire arc beyond the first season? And if so, to what degree does that influence your approach to the character? How much are you able to build into the character as the series goes on?
Tom Cullen: “We love the show and we really hope that we can continue making it for as long as possible because we’re a real family and we’re very, very proud of it and we love making it. There’s also still a lot of the Templar history that has yet to be told. We have an idea of where the show will go and where it will take us. But what actually happens is that while you’re making a show, it becomes this dialogue that happens between the writers, the actors, directors, the costume designers, the art director, the production designer, makeup artists, etc. where you’re constantly kind of feeding into this pot which is the show. It evolves and changes and moves in ways that you would never expect it to.
It’s like a living organism but that surprises you. And so though we have an idea of where this is going, actually the truth is that we don’t in many respects. We have the structure of history and what actually happened which we have to stay with but in terms of the characters, and their fuels and wants and needs and how they navigate their way through that history is something that we’re constantly being surprised by with the characters. And that’s a really exciting place to work with.
And especially as an actor, I don’t want to know where the character is going because in life I have no idea what I’m doing tomorrow or how it’s going to pan out. I can only be in the present and I can only make choices in the present, and so that’s what you want your characters to do. And so the writers actually withheld scripts from us and didn’t tell us what was happening later in this first season so that we could be surprised in the moments whilst we were making the episode, which is a really fantastic and authentic way to work. And then once we get the script, we kind of talk about them and collaborate on them.
Dominic Minghella is an incredible showrunner. He is a force of nature and an amazing man and a brilliant writer, and he really values the actors’ input. He is always very good at fielding ideas and whether he takes them or not is up to him, but it feels like a very collaborative process where everybody is feeding into it and we all have ownership over the show and that’s really exciting.”
in showbizjunkies.com by REBECCA MURRAY
History’s Knightfall delivers a fascinating story centered around the Knights Templar and their quest to find the Holy Grail in the early 14th century. Like the network’s flagship series Vikings, Knightfall proves why History needs to develop more original dramas.
Knightfall goes big and bold right from the beginning with a large-scale battle set in the city of Acre. For a TV budget, the assault on the stronghold looks great, but it’s the use of intricately placed cameras that make the sequence shine.
Typically, an actor that wears a helmet, like Thor, finds a reason to take it off, in order to better show the actor’s face. Studios don’t want to pay someone millions of dollars to hide beneath a helmet. Instead of taking the helmets off, Knightfall puts the cameras inside the helmets. It’s a brilliant choice because it creates a feeling of claustrophobia that adds to the intensity of the fights.
The combat is well choreographed and believable. It’s not as flashy as Vikings, but with warriors wearing armor that heavy, it must be difficult to move. The only complaint is the ineffective use of slow motion throughout the episode. It doesn’t ruin any of the skirmishes, but it is distracting. It feels like the show is trying to be overly stylized when it doesn’t need to be.
The characters that inhabit the story are remarkably realized. Landry (Tom Cullen) is one of the lead knights in the order. Cullen (Downton Abbey) brings all the good looks, charm, and toughness needed to carry a historical epic like Knightfall. Early on, Landry’s close relationship with the King is revealed to be a sore spot between Landry and the rest of his brothers. This conflict should make for a compelling story down the road — especially if you know a little bit of the history concerning the Templar order.
Knightfall takes place around the time of the Templars’ downfall, which according to some historical accounts, has to do with the troubled financial relationship between King Philip IV of France and the Templars. This version of the King, skillfully portrayed by Ed Stoppard (The Crown), doesn’t seem like the type of guy who would betray his friends. These are merely first-impressions, but I’m excited to see how it all plays out. History is a network that’s not afraid to toy with expectations, even in a historical setting (e.g. Vikings). Remember, this is a television show after all.
Some of the supporting characters based on their names alone add to the mystery surrounding the Grail legend. Parsifal (Bobby Schofield) is one such character. Schofield (Black Sea) effectively plays the wide-eyed farm boy who’s in over his head. What’s fascinating here is the historical significance of his name. In the legends about King Arthur, Parsifal (Percival) is one of Arthur’s most trusted knights and he’s also part of the Grail legend. It looks like the writers are using various legends and historical accounts to shape their story. This mixture of fantasy and history makes Knightfall all the more delightful.
It’s nice to have a series that gives the Templar’s a story from their point of view. Properties like Assassin’s Creed haven’t painted them in a good light and while there are reasons for that — having a different perspective on the ancient order is enjoyable to watch. Landry and his brothers are seen as protectors of the people, as opposed to cold-blooded killers.
Knightfall creates an engaging story centered around the Knights Templar and their search for the Holy Grail. With gorgeous costumes and wonderfully designed sets, Knightfall does a great job of bringing 14th century Paris to life. Backed by a strong performance from Tom Cullen, Knightfall should have enough staying power to see it through until the finale.
in ign.com by DAVID GRIFFIN
Note: This review is reprint from IGN. The OSMTHU has no official review of Knightfall. However, we should point out that Knightfall is a ficcional series with the Templars as a background. It’s not History. You should enjoy it as you enjoy any other great fictional story.
If you’re looking to get fit, Tom Cullen, star of History’s Knightfall, has a suggestion for you: wear chain mail.
The actor stars as Landry, leader of the Knights Templar, in the newest scripted drama from the network home of Vikings — which meant wearing 50 pounds of armor nearly daily for the better part of a year.
“I didn’t want to weigh the costume early on, because otherwise it would just become a thing in my head. I have weighed it since and it has become a thing in my head,” Cullen, who played Lord Gillingham in Downton Abbey, told Rotten Tomatoes. “The costume weighed 50 pounds, which is a lot to be carrying for 14, 15 hours a day when you’re fighting and riding horses. My body changed shape. I went from fit and kind of slender to muscular and big, just from the fact that I was carrying this amount of weight, this heavy costume.
“I couldn’t even get on a horse when I first started,” he confessed. “I had to have a stepladder because I didn’t have the power in my legs to get over the horse. But by the end of the shoot, I was leaping and running and jumping on horses. It was intense.”
So if you want to “get swole,” try the Chain Mail Workout!
“It’s where you wear 50 pounds of chain mail for seven months, every day, 15 hours a day,” Cullen said. “That’s all you have to do. And you’ll end up [muscular]. I’ve had to go to my wardrobe and buy all new trousers because my ass is so big. Honestly, if you want an ass like Kim Kardashian, become a knight.”
Knightfall takes place in the 1300s and follows the Knights Templar as they hunt to recover the Holy Grail in the final days of their reign, ahead of their eventual downfall. The series was shot in Eastern Europe on a Prague backlot — “they built medieval Paris, they built a temple, a palace, streets, a market, a moat, castle walls, a church, shops, alleyways, a pub — it was extraordinary,” Cullen said. The show tackles the later days of the Knights Templar’s reign of power.
“They were such a fascinating, clandestine sect,” Cullen said. “That the myriad of lies and layers that they bathed themselves in — it’s very difficult to unpack all of that. It was fascinating to learn about them. It was a real educational process for me.”
While, like most people, Cullen had a working knowledge of the group, he learned a lot while simply researching for his role.
“One of the things that really stuck with me was that they invented to first bank,” he said. “They created the banking system, and they created the first checks. They became the wealthiest fighting force in the world. And they answered to no country, no king, no queen. They only answered to God and to the Pope. No borders. You could cash your money in France, and you could take it out in Jerusalem. They were kind of untouchable. Fascinating guys. The thing that really surprised me was the level of their power. You learn about how they were in the battlefield. They were extraordinary. They would never leave. Even if they were losing, they would never turn their back and run. They would basically only surrender when the last man had been killed. That level of bravery and intelligence is an extraordinary combination, I think.”
Cullen’s character, Landry, was taken in by the Knights Templar as a 10-year-old orphan.
“All he’s known is war, fighting, and God. When we first see him in episode 1, he’s a very brash young maverick knight who ultimately loses the Holy Grail and loses Acre, the last stronghold in the Holy Land, which is the one thing that he understands himself through. The series is set 15 years after that event, and we find him questioning everything about himself. He’s questioning his faith and his own identity. He’s a very contradictory, very complex character. He is lying to his brothers. He’s having an affair with a woman. But he is immensely loyal. He is maybe the most fearless, brave knight. Yet he is starting to discover his own humanity and his mortality. He is a very pious man and is still a very faithful man, yet he is starting to discover who he is outside of his brotherhood.”
Yes, that’s right — there’s still plenty of sex on this show about religious monks, and Landry’s dedication to the Knights Templar only wavers when his chastity vow is involved.
“He’s very faithful to her,” Cullen said. “He’s a one-woman kind of guy.”
Except he’s supposed to be a no-woman kind of guy.
Added Cullen, “He’s a very complex guy, which is the kind of guy I’m interested in watching.”
The season will include major developments about Landry’s love — in the first episode, even — but his relationship will take a back seat to his main quest: to recover the Holy Grail.
“Landry goes on a pathological hunt to try and find the Grail, because I think that he entwines a lot of his own identity into that piece of pottery,” Cullen said. “I think that he hopes to find it not only to garner enough power to go back to the Holy Land, which is what he thinks that he should be doing, but also to return himself back to who he was — search for his identity before he became this very complex guy. What’s great is that on the way, we see his life fall apart, and as he discovers more about himself, he discovers more about the people around him and the lies that are entwined around his whole life and his whole existence.”
in rottentomatoes.com by Jean Bentley
A PUB landlord has completed ‘a kind of Da Vinci Code journey’ through the notorious Hell Fire Caves – and written a book to dispel some of the myths surrounding the West Wycombe tourist attraction.
Eamonn Loughran, 42, has published ‘Secret Symbols of the Hell Fire Club’ after living for 20 years on West Wycombe Road and looking up at the Dashwood Mausoleum every day.
He says the much-published ‘history’ of the Hell Fire Club adds up to little more than gossip, adding: “The idea that Sir Francis Dashwood dug these caves simply to get drunk and worship the devil is absolute rubbish.
“There were a lot of very bad books written about the club from early 1900s onwards, mostly by journalists who sensationalised the stories.”
Rumours of black magic, satanic rituals and orgies surrounded Dashwood’s club when it was around in the 1750s and 60s.
But after years of research Mr Loughran has found that though many of these activities undoubtedly went on, the ideas behind the caves are much more intricate and complex than might appear.
The father-of-three got interested in the Dashwood estate when he met a researcher who was collecting voice recordings from farm workers and people speaking in the old Buckinghamshire dialect.
His ‘ears pricked up’ when he heard some of the voices tell of local ghost stories and he began to collect his own oral evidence of local legends and folklore.
He ended up meeting descendants of illegitimate children born of amorous liaisons in the caves, as well as existing members of Hell Fire Chapters in the UK and abroad. He now lives in Lincolnshire and has since become a member of one of the Chapters.
Mr Loughran is critical of the way the Hell Fire Caves are full of “tourist kitsch” and leave visitors with “quite a negative response”.
He said: “I know they do a good trade with things like kids’ parties, but there are no ghosts down there and it’s a bit of a shame that people are going to what’s quite a beautiful and mythological place and treating it like some kind of Halloween experience.
“The caves are really a very important monument and should, like the tunnels inside the Egyptian pyramids, be studies in depth.
“To enter them with no more information than is found in a ‘tourist attraction’ would be like treating Westminster Abbey as somewhere that’s merely scary and Gothic.”
He says the caves, along with the church and mausoleum, are full of intricate symbolism, science and philosophy and are a ‘testament to a man’s love of liberty and freedom’. He added: “We need to look very closely at what this actually is”.
His book examines the astronomical positions of the caves’ entrances – “a little bit like you would with Stone Henge”, while indicating the possible existence of Knights Templar cosmology deep underground at West Wycombe.
He promises a look at the “most notorious of secret societies from the inside” and details rare information deriving from Sir Francis Dashwood’s intellectually brilliant daughter Rachel Frances Antonina (‘The Infidel’), who knew the poet Coleridge and Thomas de Quincey. There is also a focus on a 1940’s ‘Phoenix Nest’ occult group which met at West Wycombe and whose members published books on esoteric subjects up to the 1970’s.
Secret Symbols of the Hell Fire Club is available in hardback on http://www.amazon.co.uk for £22.
by Bucks Free Press
ARCHAEOLOGISTS turned up in force to examine the history of Bisham Abbey last month.
About 20 enthusiasts were told of the little-known fact that the existing building once home to the Knights Templar is actually a manor house as opposed to an abbey.
However, as John Laker, of Archaeology In Marlow, insists: “The house is still of immense interest, with parts of it dating back over 800 years.”
The tour was led by historian Anne Daracott, of Maidenhead, an expert on Bisham Abbey.
The house has had a number of famous inhabitants, including the Knights Templar, and remained in the ownership of the Earl of Salisbury’s family for a number of generations.
The building was even used as a jail for dignitaries such as Elizabeth I who was imprisoned there by Queen Mary.
The original hall of the Knights Templar is still in existence, as is one of the most impressive dovecots in the country dating to the 16th Century.
Remains of the original abbey, which was thought to be attached to the house, have not been discovered.
in Bucks Free Press
THE SEARCH for a legendary medieval hospital built by the Knights Templar will resume this weekend as archaeology enthusiasts get to work in a Marlow park.
On Saturday and Sunday, members of Marlow Archaeological Society will re-open the dig in Rookery Park, which last year uncovered evidence of a building dating back to the 17th century.
The history hunters made the discovery of a cellar dating back to around 1660 while looking for the remains of a farmhouse built a hundred years later.
A hospital constructed by the knights after the medieval crusades in the 14th century is rumoured to lie somewhere in Marlow.
And with no record of a building on the Rookery Park dig site from before 1770s, members hope they can start answer some of the burning questions raised by their dig last year.
Society member Doug Courtney said: “We are trying to get further with this older building that no one was expecting to find.
“We are trying to get dating information, what we have found we have dated approximately, but we want to find the rest of the cellar.
“Unfortunately, the new cycle path in the park has destroyed much of the evidence. But it could be quite interesting bearing in mind the Knights Templar hospital that could be in the area. Wouldn’t it be great if we found it?”
Mr Courtney said the group hopes to carry out more work elsewhere in the park, with surveys set to be carried out in the near future.
And members are urging new volunteers to get it on the act over the bank holiday weekend for just a £3 day membership for insurance reasons.
He said: “We are keen to encourage new members to grab a trowel and have a go – they don’t need to have experience.
“Anyone can come along, get down on their hands and knees and start digging with the rest of us. Most of the remains are only a few inches below the ground.”
in Bucks Free Press, by Peter Grant
The Levant, the region running inland from the eastern seaboard of the Mediterranean, has been fought over for millennia. Its vital trade and military roads linking Anatolia to north Africa and Arabia have been guarded and coveted since time immemorial. Control is everything, as Moses found out to his cost when he wanted to move north up the ancient King’s Highway out of the Sinai and into Edom (modern day southern Israel):
“Now let us pass through your land. We will not pass through field or vineyard, or drink water from any well; we will go along the King’s Highway, not turning aside to the right hand or to the left until we have passed through your territory.” But Edom said to him, “You shall not pass through, or we will come out with the sword against you.” The Israelites said to him, “We will stay on the highway; and if we drink of your water, we and our livestock, then we will pay for it. It is only a small matter; just let us pass through on foot.” But he said, “You shall not pass through.” And Edom came out against them with a large force, heavily armed. Thus Edom refused to give Israel passage through their territory; so Israel turned away from them.
Countless cultures have fought for dominance in the region — Canaanite, Philistine, Hebrew, Assyrian, Babylonian, Persian, Greek, Roman, Byzantine, Rashidun, Umayyad, Abbasid, Fatimid, Seljuk, crusader, Ayyubid, Khwarazmian, Mamluk, Ottoman, British, French, Jewish, the list goes on. Most of the conquests have been bloody. All have caused regional upheavals. Some have spread even further, sending international shockwaves east and west.
This week marks two major anniversaries of crusader history, both of which had a profound impact on the whole of Europe. On 4 July 1187, Saladin crushed the crusaders at the battle of the Horns of Hattin — one of the most important military encounters of the medieval world. Ninety years later, on 1 July 1277, Sultan al-Malik Baybars died. Although less well known in the West than Saladin, Baybars was a far more brutal and effective warlord. It was his devastating campaigns that finally ripped the heart out of the crusades, propelling the whole project into its darkening, twilight years.
When the crusaders had first conquered Jerusalem in 1099, waves of elation crashed across Latin Christendom. Jerusalem was the umbilicus mundi, the centre of Europe’s conception of the world as depicted in medieval maps like Hereford’s glorious Mappa Mundi. God clearly favoured the Christian settlers, and had given their armies Jerusalem to prove it.
The crusades were not the first time Jerusalem was under Christian rule. The Holy Land had been Christian in the days of the Byzantine Empire (c. AD 325–637). Emperor Constantine the Great and Empress Helena had Christianised the city, renaming it “Jerusalem” and wiping out the pagan remains of Aelia Capitolina built by Hadrian in AD 130 on the rubble of Jerusalem. At the heart of his new Jerusalem, Constantine built the Church of the Holy Sepulchre, and made it the pre-eminent Christian pilgrimage destination. However, since the Rashidun Caliphate under Umar the Great had conquered the Near East in AD 637, Jerusalem had been under Islamic rule.
Hand in hand with the crusaders’ initial elation in 1099 came the practical problem of controlling vast swathes of conquered territory far from home in their new land of “Outremer”, the place “beyond the sea”. The result was countless famous battles in which the pendulum swung one way then the other during the 192 years of crusader presence in the Levant. Although many of the engagements are still famous — like Jacob’s Ford and the Field of Blood — the Horns of Hattin stands head and shoulders above them as one of the turning points of world history.
Today, as the politically unrelated and separate conflicts in Syria and Iraq coalesce and evolve into an all-consuming regional power struggle, it is worth looking at the battle of the Horns of Hattin as a reminder of the region’s merciless ability to keep redrawing its borders and reinventing itself in blood.
First, put Ridley Scott’s epic 2005 film, Kingdom of Heaven, out of mind. It excels in evoking the existential crisis of the crusader kingdom at the tail end of the reign of the leper king, Baldwin IV. And it is a seductive and visually sumptuous world, where faith, honour, ideals, and love vie alongside ambition, bloodlust, venality, and the ugly side of unchecked militarism. But it is not a faithful account of the events leading up to the cataclysmic battle of Hattin and Balian of Ibelin’s doomed defence of Jerusalem. For a start, the real Balian was 44 years old at Hattin, did not know one end of an anvil from the other, was married to a member of the Byzantine royal family, and was born and lived his whole life as a powerful, wealthy noble in the crusader states.
The true story of Hattin is nevertheless every bit as soaked in romance and ambition as Scott’s Kingdom of Heaven.
Some years earlier, Lucia of Botrun, a beautiful and wealthy Levantine heiress, was ignominiously placed onto a huge set of scales and publicly weighed. A merchant from Pisa piled up the pan on the other side with gold bezants until he had measured out her weight in gold, which he then gave to her overlord as payment for her hand in marriage. In the wings, a headstrong Flemish crusader, Gerard de Ridefort, vowed revenge. He had previously asked Lucia’s overlord, Count Raymond III of Tripoli (of Toulouse) for her hand, but his request was refused. Despite the fact Raymond was one of the kingdom’s wisest and coolest heads, Gerard immediately left Raymond’s service, nursing a grievance that would lead to the downfall of a kingdom.
After recovering from a serious illness, or perhaps sensing faster promotion as a professional crusader, Gerard soon took the dramatic step of professing solemn monastic vows as a Knight Templar, devoting himself to a celibate community life of praying and fighting. His exceptional abilities were quickly recognised, and he rose swiftly through the Order’s ranks to become their tenth Grand Master. This unique position gave him privileged access to Christendom’s royalty — especially in Jerusalem — an influence he used, among other things, to oppose and thwart Raymond whenever he could.
In 1185, on the death of the leper King Baldwin IV, his seven-year-old nephew took the throne under the regency of Raymond. But when the young king died within a year, the crown passed to his mother and step-father: Sibylla of Jerusalem and Guy of Lusignan. The kingdom promptly tore itself into two poisonously opposed factions — those like Gerard de Ridefort and the Templars who supported Queen Sibylla and King Guy, and those like Count Raymond who backed Isabella, Sibylla’s half-sister.
With the kingdom hopelessly divided, the scene was set for a catastrophe. It just needed someone to light the touchpaper.
King Guy counted among his camp a maverick one-man army: Raynald of Châtillon, “the Elephant of Christ”. Raynald had been in the crusader states since the second crusade, and had spent 15 years in a Muslim jail before leading the crusader forces to a spectacular victory against Saladin at the fêted battle of Montgisard, Saladin’s most crushing defeat. Raynald was therefore a seasoned operator in the region, and had been rewarded with the lordship of Oultrejourdain (the lands beyond the River Jordan). However, he is usually most often remembered for his cruelty, endless piracy and plundering, unwillingness to obey kings, and repeated breaking of delicate truces to the annoyance of all sides.
In 1187, when Raynald again broke a truce and attacked yet another Muslim caravan travelling the King’s Highway near his Red Sea outpost at Kerak, Saladin could stand by no longer. He declared the truce to be a sham, and led an invasion army across the Jordan. Raynald’s lawlessness had finally provoked the largest united Muslim force the crusaders had ever seen.
The end began quickly. On 1 May 1187, at the Springs of Cresson near Nazareth, a small group of around 140 Templars and Hospitallers found themselves confronting a 7.000-strong detachment of the Muslim army under al-Afdal, Saladin’s son. The master of the Hospitallers and several senior Templars counselled retreat, but Gerard de Ridefort accused them of cowardice and ordered an attack. The result was a charnel house. Gerard de Ridefort and two other Templars were the only known survivors.
Back in Jerusalem. King Guy and the royal court knew that a full-scale onslaught from Saladin’s 30,000 men was now imminent. All they could do was wait to see where it would come.
Saladin made the first move. He advanced to Tiberias on the west shore of the Sea of Galilee. The castle belonged to Count Raymond III of Tripoli, who was away with the royal court, leaving it garrisoned by Eschiva, his wife.
On 2 July, King Guy held a war council to decide on a response. And it was here, at this critical moment in the history of the crusader kingdom, that the memory of Lucia of Botrun on the gold scales filled the room. Count Raymond calmly advised King Guy that Saladin was setting a trap, trying to get the crusaders to leave the safety and water of Sepphoris. He was, Raymond explained, hoping to lure the crusaders onto arid open ground where the Muslims’ numerical advantage could be best used. But whatever Raymond said was always wrong in the eyes of Gerard de Ridefort and Raynald of Châtillon, who shouted him down, accusing him of cowardice. They argued long into the night that King Guy should immediately lead the crusaders to march on Tiberias. In undoubtedly the worst decision of his life, Guy allowed himself to be persuaded by Gerard and Raynald, and ordered the army to ready itself. He was a politician not a soldier, and his lack of experience was about to cost the crusaders dearly.
The following day, 3 July, the pride of the crusading army thundered out of the springs of Sepphoris heading east for Tiberias and the Sea of Galilee. From the moment they left, the outcome was sealed. Saladin had to do very little. The summer heat was unbearable, and the mail-clad crusaders lacked water. To make them even thirstier, Saladin lit brushwood fires around them, engulfing the advancing columns in clouds of billowing smoke. Panicked, choking, and dehydrated, the crusader army broke apart, allowing Saladin to encircle them. The crusaders were finally corralled on the two hills known as the Horns of Hattin, just six miles short of Tiberias, where the massacre began.
King Guy, Gerard de Ridefort, and Raynald of Châtillon were all taken prisoner. The crusaders’ most sacred relic, the True Cross discovered by the Empress Helena in the AD 320s, was also captured, taken in triumph to Damascus, and never seen again.
As depicted in Kingdom of Heaven, Saladin invited King Guy and Raynald of Châtillon into his tent, where he offered a groggy Guy a cup of iced water to slake his thirst. When Guy then passed the cup to Raynald, Saladin responded that he had not personally offered refreshment to Raynald, and was therefore not bound by any rules of hospitality towards him. He asked Raynald why he had broken so many oaths over the years. Raynald replied that kings had always acted thus, and he had done no more. Saladin then personally beheaded Raynald, before dragging his decapitated body over to a terrified Guy. “Kings do not kill kings”, he reassured Guy, but explained that Raynald was an oath-breaker whose repeated “maleficence and perfidy” had warranted immediate death.
Guy and the other captured nobles were all eventually ransomed, apart from the 230 Knights Templar and Knights Hospitaller whom Saladin judged too militarily dangerous to be allowed freedom. He ordered them beheaded on the spot:
With him was a whole band of scholars and sufis and a certain number of devout men and ascetics, each begged to be allowed to kill one of them, and drew his sword and rolled back his sleeve. Saladin, his face joyful, was sitting on his dais, the unbelievers showed black despair.
(Imad ad-Din, On the Conquest of the Holy City)
With their army decimated, the crusaders could only watch as one by one their cities then fell. Queen Sibylla and Patriarch Heraclius mounted a last-ditch defence of Jerusalem, before roping in Balian of Ibelin, who had dropped by to collect his family. Balian’s involvement was in strict defiance of an oath of non-belligerence he had given Saladin in order to be allowed to travel to Jerusalem, but he wrote to Saladin to explain his predicament, and Saladin seemed happy for Balian to try to organise Jerusalem’s defences. In any event, they both knew Jerusalem could not withstand a siege. Balian had only a handful of knights, so spontaneously knighted the city’s squires to help in the effort. But it was largely symbolic. On 2 October, Balian went to Saladin’s tent. Saladin confirmed that he had sworn to kill all Jerusalem’s men and to enslave the women and children. In response, Balian threatened to execute the 5,000 Muslim prisoners in Jerusalem, kill the crusaders’ families and livestock, destroy all treasures, and raze the al-Aqsa mosque and Dome of the Rock to the ground before he and the men marched out to meet their glorious deaths at Saladin’s hands. Unnerved, Saladin suggested a peaceful surrender, which Balian accepted. Saladin then granted safe passage to all inhabitants who could pay their way, and sold the remaining men, women, and children into slavery.
The reaction across Christendom was utter disbelief. It was unthinkable that Jerusalem was no longer a Christian city. Four generations of Western children had grown up knowing that Jerusalem was part of Christendom. The grief at losing it tore deep into the soul of the West. On hearing the news, Pope Urban III died of shock. Within two years, Europe’s leading warrior, Richard the Lionheart, was personally in Outremer to set things right. But the tide had turned, and he failed ever to set eyes on Jerusalem.
Although the crusader states would limp on for another 105 years from their new headquarters at Tyre and then at Acre, medieval Christendom never again owned Jerusalem outright, and life became immeasurably harsher for the remaining crusaders and settlers — notably as a result of the campaigns of Sultan al-Malik Baybars, who died on 1 July 1277, providing the other major Levantine anniversary this week.
Unlike any of the crusaders’ previous opponents, Baybars was a military machine. On some levels, Saladin was not an especially talented general — over the course of 17 years of campaigning against the crusaders, he was regularly not successful on the battlefield. Baybars, on the other hand, was a highly effective general. He rose to power by murdering two Sultans of Egypt (including the last Ayyubid of Saladin’s dynasty), before finally taking personal control as Sultan, leading a hardened army of Mamluks from Egypt and Syria. He was a warlord who had built Egypt’s military caste of slave soldiers (mamluk means slave) into a juggernaut that dominated without opposition, steamrollering both the crusaders and the Mongols invading from the east. To put that into perspective, the Mongols had recently blitzkrieged their way from China to Poland, slaughtering entire populations. No terror like it had ever been seen. In many cities, there was no one left to clear away the mountains of rotting bodies. When Baybars and his Mamluks defeated them in AD 1260 at Ain Jalut (in the Jezreel Valley, Galilee), it was the first time the massed Mongol forces had ever been convincingly beaten. It is little wonder that the Islamic world has always told stories of Baybars, whereas Saladin fell into relative obscurity until resuscitated by Western interest.
Saladin may have broken the crusaders’ hearts, but it was Baybars who effectively snuffed out the crusade movement. As the news from Syria and Iraq in the last few weeks now makes clear, the complexion of the Levant region is changing again. The vacuum in Iraq and the disintegration of society in Syria have created new groups, alliances, and interests. We do well to remember that the region is one where nothing has ever stood still for long.
in The Telegraph
by: Dominic Selwood
Dr Dominic Selwood is a former criminal barrister, novelist and historian with a passion for the less visited corners of the archives. He is the author of the crypto-thriller, The Sword of Moses (2013), and the textbook on the Knights Templar, Knights of the Cloister (1999). He tweets as @DominicSelwood
Rare Archive of 13th Century Knights Templar Charters and Deeds goes under the hammer at Dreweatts & Bloomsbury Auctions in London. Printed Books, Maps and Manuscripts sale on Thursday 17th and Friday 18th July 2014.
A significant archive of 28 charters and deeds granting gifts of land and property in West Yorkshire to the Knights Templar and Knights Hospitallers is being auctioned at Dreweatts and Bloomsbury Auctions’ Printed Books, Maps and Manuscripts sale on Thursday 17th and Friday 18th July 2014.
Est. £40,000-60,000 [Lot 183]
Simon Luterbacher, Director of Manuscripts & English Literature at Dreweatts & Bloomsbury Auctions said: “Documents relating to the Knights Templar are extremely rare and highly sought after; an archive of this size and quality has not been seen in auction for over 50 years, and likely won’t be again.”
The Knights Templar was a Christian military order founded after the first crusade by Hugo de Payens and Bernard of Clairvaulx to defend pilgrims travelling between Europe and the Holy Land. The order was established in England during the reign of Henry II and quickly gained a large estate throughout several counties, and Yorkshire in particular.
They enjoyed patronage under several kings, especially Richard I, King John and Henry III and were noted for their financial dealings. The order became a favoured charity throughout Christendom when they were officially endorsed by the Catholic Church around 1129; they grew in membership and power.
With their distinctive white mantles with a red cross, Templar Knights were the most skilled and feared fighting units of the Crusades. Once the Holy Land was lost and rumours of the secret initiation ceremony began to circulate and created mistrust, the order was suppressed by order of Philip IV of France in 1307, and later, in England in 1308.
The Knights Hospitallers, or the Hospitallers of St John of Jerusalem, now the Most Venerable Order of the Hospital of St John of Jerusalem, was a parallel organisation founded in 1099 by The Blessed Gerard Thom to help sick pilgrims travelling to the Holy Land.
As with the Knights Templar, the Knights Hospitallers had a military function and gained large estates in the twelfth century. In the 1140s the Order was granted ten acres of land in Clerkenwell, which became their headquarters and of which the gateway still remains and is now the museum of the Order in England. After the fall of the kingdom of Jerusalem, the order moved its headquarters, briefly to Cyprus, then until 1522 to Rhodes, and finally, Malta.
Ten of the 28 are charters and deeds of gifts to the Knights Templar of Temple Newsam comprising:
Richard de Rihil [Ryhill], of c. 20 acres in South Crossland, land in Waderode (land on the river Calder), one and a half acres by the moor near Adam le Venur with rights of burning, building and fencing (3 deeds); Lady Alina, widow, of Crossland, daughter of Philip de Rihill, of half a house or toft, which Elias, son of Adam le Venur held and the right to take wood for building and burning within the boundaries of Crossland, as well as pannage for their pigs within the boundaries of the donors woods and others.
Seventeen of the 28 are charters and deeds of gifts to the Knights Hospitallers of the preceptory of Newland comprising:
Alan, son of Simon de Wately, of all Hardinge Rode and land in Colresle; Robert de Weteley [Whitley or Wheatley], of a third part of the land his uncle gave in Whitley; Matilda of Stanforham of 3s which Jordan, son of Matthew pays from the rent of Flackton [Flockton]; Elias, son of Haswi of Heton [Kirkheaton], of land in Heton; William, son of Michael of Brethwisel, of land in Brethwisel; Adam, son of Robert de Notton, of land between the stream and castle of Almanbira [Almondbury]and others.
The final deed is by Adam, son of Adam de Byrkeg de Cumberward to Peter of Colriselay, granting the land and messuage of the Hospital of Jerusalem in Crossland.
The sale will be held on Thursday 17th and Friday 18th July 2014 at Dreweatts & Bloomsbury Auctions’ saleroom in London’s Mayfair. Viewing is at Bloomsbury House on Tuesday 15th July 9:30am – 5:30pm, Wednesday 16th July 9:30am – 7:30pm and day of sale from 9:30am. The catalogue will be available to view online at www.bloomsburyauctions.com
A visit to the Palace of Pena in Sintra and it’s Forest Park, took place June 22nd, organized by the Commandery of Sintra of the Iberian Priory Osmthu, in order to perform an Instruction of Novices.
The theme of the day was the Quest of the Holy Grail. The location could not have been more appropriate. In fact, upon seeing Pena Palace, Richard Strauss said: “Today is the happiest day of my life. I have been to Italy, Sicily, Greece and Egypt, but I’ve never seen anything like the Pena. It’s the most beautiful thing I have ever seen. This is the true Garden of Klingsor and up there is the Castle of the Holy Grail.”
The rain threatened to ruin the day, but the sun opened the cloudy sky just in time for the visit. For about two hours the large group recalled the legend of Parzival in Wolfram von Eschenbach’s version. The central symbolic elements of the Quest were highlighted, and, from the vantage point of the Palace, the Squires had no difficulty in identifying some of them in the surrounding forest park beneath, where King D. Ferdinand II, creator of the romantic fantasy that is the Pena Palace and its gardens, had them placed. The restoration works to which the building is being subjected, prevented some architectural elements to be analyzed, but the visit to the Chapel of Our Lady of Pena and particularly the study of its stained glass windows and altar had its rewards.
After visiting the Palace inside and out, it was then time to start exploring the gardens. The group was led hiking to the highest point of the Sintra mountain, Cruz Alta, 529m in height, featuring a magnificent view of the Palace and the estuary of the Tagus river and the sea to the right, the Atlantic opening from where the Caravels of Vasco da Gama departed and later arrived after having reached India by sea, going around Africa, a historical event of transcendent importance for the Order of Christ.
Returning to the Forest, Knights, Dames, and Squires (and guests) gathered around the Round Table and recalled the legend which tells how Parsifal has himself become aware of chivalry and how he was amazed. Seeing shining armor, spears, swords and capes waving with the wind, he could only to ask the Knight he saw in the forest: “Are you God?” and when he said no, counter: “You are an angel, then”?
Visto o Palácio em si, por dentro e por fora, foi então ocasião de iniciar a exploração dos jardins. O grupo foi em caminhada conduzido ao ponto mais alto da Serra de Sintra, a Cruz Alta a 529m, de altura, com uma vista magnífica sobre o Palácio e sobre o estuário do rio Tejo e o mar à direita, abertura atlântica de onde partiram e onde chegaram as Caravelas de Vasco da Gama.
The clock was moving ant the time becoming short for the many things that had to be taught. So the Squires were conducted on a mission to collect information to the Temple of Columns, nearby. Nothing was said about the place beforehand, except that they should undergo rigorous observation and take note of the elements that called their attention. The group gathered again around the Table later and it was revealed that their intuition was indeed alert. Several of them had brought their cameras, with which they gathered the testimony of their observation. In fact, more than two thirds of the key symbolic elements had been identified, and after considering their signifficance, the vast majority of Squires came up with very exceptional results in their explanations.
After leaving that magical place, the group went further into the forest, abandoning the easy paved road recommended for tourists. After passing by caves where ancient monks of St. Jerome (SJ) had the habit to use to meditate for long periods, found the remains of the tracks in the woods and very old staircases, through narrow ways, and then, between two high cliffs, were led to the contemplation of the Palace as seen from the Throne, a lithic cluster of central importance in the whole Pena forest park. The pilgrims rested. But for a short while only. Then they went back to the dark forest.
In search of fresh water, springing from the Sierra, the group could see how the aquifers and streams were build up, how the mines and ornamental lakes match, catching the most subtle essence of life in the Sierra and its valleys, making everything bloom and fruit, as the water snakes around the cliffs, feeding freshness and light to the deep valleys long its way. In the background, the cry of the white swans evoked the Knights of the Round Table and the lakes where Amfortas, the Fisher King, used to bathe and heal his wounds.
The group withdrew from the Park well beyond the scheduled time (the gates were already closed and it was necessary to ask for security to come and open the door for the group to leave the park!). Tired but happy and thankful for the opportunity, with the mind racing with new questions and thoughs, the group returned home.
On behalf of all the Knights and Dames of the Order, we congratulate the Squires for the qualities shown along this day of pilgrimage. Good things are expected of them. The instructions will continue in July with a visit to the Capuchin Convent in Sintra, under the theme of the Monastic Way.
Em busca da fresca água da Serra o grupo pôde ver o modo intencional e muito sábio como as correntes aquíferas e o jogo entre minas e lagos decorativos, captavam a essência mais subtil da vida na Serra e como, pelos seus vales, tudo faziam florir e frutificar, serpenteando pelas fragas, alimentando de frescura e luz os vales profundos. Ao fundo, os cisnes brancos evocavam os Cavaleiros da Távola Redonda e os lagos onde Amfortas, o Rei Pescador, se banhava e onde curava as suas feridas.
O grupo retirou-se do Parque já muito para lá da hora prevista (os portões já estavam fechados e foi necessário pedir que a segurança viesse abrir as portas para sair do Parque!), cansado, mas feliz com a oportunidade e com a cabeça a colocar-se questões sobre a Cavalaria viva e actuante nos tempos modernos como possivelmente não se teria colocado antes.
Em nome de todos os Cavaleiros e Damas da Ordem, devemos enaltecer as qualidades demosntradas ao longo da peregrinação do dia pelos Escudeiros presentes. Boas coisas se esperam deles. As instruções irão prosseguir em Julho, com uma visita ao Convento dos Capuchos em Sintra, sob a temática da Via Monástica.
Alguns links para conhecer a Pena: