El próximo 30 de agosto abrirá al público el Museo Casa del Temple en Toledo, una nueva oferta turística que sumará riqueza patrimonial y que permitirá conocer un Bien de Interés Cultural considerado la casa islámica más completa que existe hoy en día en la ciudad.
Tal y como publica en su cuenta de Facebook el Museo Casa del Temple, el objetivo es convertir este espacio en un centro cultural, en sala de exposiciones, gastrobar y en lugar de eventos. Además, allí se expondrán un conjunto de piezas arqueológicas aparecidas en la casa, otras piezas de colecciones privadas, así como un 3D con el que entender la edificación en su origen.
La actividad expositiva comenzará con una muestra del artista chileno afincado en España Guillermo Muñoz Vera.
La Casa del Temple en Toledo data de los siglos XI-XII, perteneciendo a esta época la estructura general, típicamente andalusí, sustentada por las bóvedas del sótano y organizada en torno al patio. Diversas fuentes coinciden en señalar que el inmueble fue, en tiempos, propiedad de la Orden de los Templarios, a los que probablemente les donase el edificio Alfonso VIII para recabar su apoyo a las diversas campañas militares del monarca.
Enclavada en pleno Casco Histórico, justo al lado de San Miguel el Alto, sus alfarjes fueron restaurados en 2017 por el Consorcio de la ciudad, entrando a formar parte de las rutas del patrimonio desconocido.
Bien de Interés Cultural con la categoría de monumento desde 2002, el patio interior de la planta baja comunica con las cuatro crujías que definen el inmueble. Lo que vemos a nuestro alrededor son un arco de medio punto decorado con yeserías mudéjares y, ojo, el forjado del techo primitivo, que se supone que es anterior a 1109 y con canes labrados en el interior del patio. Y en uno de sus laterales conserva el alfarje con las tabicas originales. A cada lado de esta entrada, dos arcos de herradura apuntados y decorado con finas yeserías.
Ya en el sótano se encuentra un salón con un zócalo decorado con pinturas y que representan arcos entrecruzados, temas vegetales y una cenefa, todo supuestamente anterior a 1109. A lo que hay su añadir la planta primera y el ático.
Type “Holy Grail” into Google and … well, you probably don’t need me to finish that sentence. The sheer multiplicity of what any search engine throws up demonstrates that there is no clear consensus as to what the Grail is or was. But that doesn’t mean there aren’t plenty of people out there claiming to know its history, true meaning and even where to find it.
Modern authors, perhaps most (in)famously Dan Brown, offer new interpretations and, even when these are clearly and explicitly rooted in little more than imaginative fiction, they get picked up and bandied about as if a new scientific and irrefutable truth has been discovered. The Grail, though, will perhaps always eschew definition. But why?
The first known mention of a Grail (“un graal”) is made in a narrative spun by a 12th century writer of French romance, Chrétien de Troyes, who might reasonably be referred to as the Dan Brown of his day – though some scholars would argue that the quality of Chrétien’s writing far exceeds anything Brown has so far produced.
Chrétien’s Grail is mystical indeed – it is a dish, big and wide enough to take a salmon, that seems capable to delivering food and sustenance. To obtain the Grail requires asking a particular question at the Grail Castle. Unfortunately, the exact question (“Whom does the Grail serve?”) is only revealed after the Grail quester, the hapless Perceval, has missed the opportunity to ask it. It seems he is not quite ready, not quite mature enough, for the Grail.
But if this dish is the “first” Grail, then why do we now have so many possible Grails? Indeed, it is, at turns, depicted as the chalice of the Last Supper or of the Crucifixion or both, or as a stone containing the elixir of life, or even as the bloodline of Christ. And this list is hardly exhaustive. The reason most likely has to do with the fact that Chrétien appears to have died before completing his story, leaving the crucial questions as to what the Grail is and means tantalisingly unanswered. And it did not take long for others to try to answer them for him.
Robert de Boron, a poet writing within 20 or so years of Chrétien (circa 1190-1200), seems to have been the first to have associated the Grail with the cup of the Last Supper. In Robert’s prehistory of the object, Joseph of Arimathea took the Grail to the Crucifixion and used it to catch Christ’s blood. In the years that followed (1200-1230), anonymous writers of prose romances fixated upon the Last Supper’s Holy Chalice and made the Grail the subject of a quest by various knights of King Arthur’s court. In Germany, by contrast, the knight and poet Wolfram von Eschenbach reimagined the Grail as “Lapsit exillis” – an item more commonly referred to these days as the “Philosopher’s Stone”.
None of these is anything like Chrétien’s Grail, of course, so we can fairly ask: did medieval audiences have any more of a clue about the nature of the Holy Grail than we do today?
Publishing the Grail
My recent book delves into the medieval publishing history of the French romances that contain references to the Grail legend, asking questions about the narratives’ compilation into manuscript books. Sometimes, a given text will be bound alongside other types of texts, some of which seemingly have nothing to do with the Grail whatsoever. So, what sorts of texts do we find accompanying Grail narratives in medieval books? Can this tell us anything about what medieval audiences knew or understood of the Grail?
The picture is varied, but a broad chronological trend is possible to spot. Some of the few earliest manuscript books we still have see Grail narratives compiled alone, but a pattern quickly appears for including them into collected volumes. In these cases, Grail narratives can be found alongside historical, religious or other narrative (or fictional) texts. A picture emerges, therefore, of a Grail just as lacking in clear definition as that of today.
Perhaps the Grail served as a useful tool that could be deployed in all manner of contexts to help communicate the required message, whatever that message may have been. We still see this today, of course, such as when we use the phrase “The Holy Grail of…” to describe the practically unobtainable, but highly desirable prize in just about any area you can think of. There is even a guitar effect-pedal named “holy grail”.
Once the prose romances of the 13th century started to appear, though, the Grail took on a proper life of its own. Like a modern soap opera, these romances comprised vast reams of narrative threads, riddled with independent episodes and inconsistencies. They occupied entire books, often enormous and lavishly illustrated, and today these offer evidence that literature about the Grail evaded straightforward understanding and needed to be set apart – physically and figuratively. In other words, Grail literature had a distinctive quality – it was, as we might call it today, a genre in its own right.
In the absence of clear definition, it is human nature to impose meaning. This is what happens with the Grail today and, according to the evidence of medieval book compilation, it is almost certainly what happened in the Middle Ages, too. Just as modern guitarists use their “holy grail” to experiment with all kinds of sounds, so medieval writers and publishers of romance used the Grail as an adaptable and creative instrument for conveying a particular message to their audience, the nature of which could be very different from one book to the next.
Whether the audience always understood that message, of course, is another matter entirely.
in theconversation.com by Leah Tether
A beautiful gold and garnet cross, found on the breast of a teenage girl buried lying on her own bed about 1,300 years ago, has been presented to the Museum of Archaeology and Anthropology in Cambridge.
The girl’s grave was found in 2011 by University of Cambridge archaeologists only a few miles from the museum, on land at Trumpington being developed for housing. The bed on which she lay – probably her own – had rotted into the soil centuries ago leaving only the iron supports, but the cross stitched onto the dress which became her shroud was still gleaming.
Both bed burials and Anglo-Saxon jewellery of such regal quality are exceptionally rare finds. A handful of such burials from the late 7th century have been discovered, all believed to be of women, but only one other had a cross.
The cross suggests that she was an early Christian convert, but she was buried between 650 and 680 AD in the pagan style with grave goods which were probably also treasured possessions, including gold and garnet pins, an iron knife, glass beads and a chain which probably hung from her belt. She was found among a group of burials, possibly of relatives, on a site with no previously known Anglo-Saxon connections.
Her bones suggest that she was about 16, and there was no obvious cause of death. She would certainly have been from the Anglo-Saxon elite. Gold and garnet jewellery of such quality was once associated with the women of a royal family in Kent, but pieces are now turning up along the east coast of England. A beautiful brooch was recently reported, found by a student metal detectorist in Norfolk.
The cross is thought to be worth more than £80,000, but has been presented to the museum by the landowners, Grosvenor.
Jody Joy, senior curator at the museum, described it as “a beautiful, mysterious artefact”, which would allow the museum to tell the story of the coming of Christianity to the region.
“The Trumpington Cross and other materials recovered from the dig are of international quality and significance – but with the strongest connections to Cambridge and the surrounding settlements.”
The cross and the girl’s other possessions are being put on temporary display at the museum while a permanent case is being commissioned.
A DARK Age palace has been discovered, strengthening the likelihood that the legend of King Arthur may be based on a grain of truth.
A DARK Age palace has been uncovered on Cornwall’s windswept coast, strengthening the likelihood that the legend of King Arthur may be based on a grain of truth.
Myth has it that King Arthur will return at the hour of Britain’s greatest need. It could certainly do with some help right now.
Whether or not a new archaeological dig at his supposed birthplace of Tintagel Castle will prompt such a second coming is another matter.
But it may already be adding to the evidence that the myth surrounding the warrior king who, with the knights of his roundtable, struggled to hold back a “Dark Age” from enveloping Britain.
The Dark Age has long since proven to have been not so dark. But the scant records from the time have made pinning down one historical character that best fits the outline of the tale near impossible.
Now, archaeologists have returned to Arthur’s traditional birthplace of Tintagel for the first time since the 1990s. They’ve just completed their first dig in a new five-year excavation.
Last month they sank four trenches into previously unexcavated areas of the ancient island settlement.
What they found may be the remains of a 1500-year-old palace.
BIRTHPLACE OF A LEGEND
Like many prominent British landmarks, Tintagel has long been associated with Arthurian legend.
Like all the others, the evidence has been largely limited to hearsay.
The ruined castle that dominates the Tintagel landscape is believed to be from the Medieval 13th century. This would make it some 700 years younger than the Arthurian tales.
But it’s long been thought that the castle may have itself been built upon the ruins of an older structure.
But it was the discovery of a stone engraved with a name linked to Arthur’s in 1998 that reinvigorated interest in the windswept ruins on Cornwall’s coast.
Archaeologists believe it to have been a foundation/dedication stone dating from the 6th century. It is engraved with the name Artognou.
It’s these ruins that may have been linked to the Arthur of legend.
The tales tell of the seduction — some say by magical means — of the beautiful wife of a local lord by the then King of Britain. The illicit act conceived Arthur.
Mythology goes on to say the young boy was raised as a squire — a knight’s assistant — until fate took its hand and placed the rightful king on his throne.
The first written record of the mystic king comes from a monk named Gildas in the sixth century.
But it was a time where books were scarce and the most common form of transmitting history — and telling tales — was through memorised songs and poetry.
It took two several more centuries before a more detailed account of King Arthur and his actions would be recorded by Geoffrey of Monmouth in 1138AD.
Unwinding his tangle of myth, legend and history has been a challenge for authors and historians ever since.
At the time of Monmouth’s writing, historians believe Tintagel would likely have been little more than a windswept pile of rubble.
So the notion of it being a powerful palace would have had to have been handed down verbally through the generations.
Just like the tale of Arthur himself.
SCRATCHING THE SURFACE
The archaeologists were guided in their efforts by geophysical surveys of the rocky outcrop’s terraces earlier this year.
Among the ultrasound and radar echoes were outlines of what could be up to a dozen buried buildings, one-metre thick walls and winding paths.
The strategically positioned trenches, two on an upper east terrace and two to the south, have all provided a glimpse of the stonework foundations of long-lost buildings.
From the scattering of potsherds and glass, this places the site smack between 400 and 600AD — precisely the time Arthur is supposed to have led his war band against the invading hordes.
None of this proves Arthur existed.
But the new finds add substance to the idea that the site could have produced cultured but strong warriors as well as influential political figures.
It would have been a beacon of lost civilisation in a world of economic chaos and roving, marauding tribes.
Much of the 150 fragments of glass and pottery recovered had been imported from the far reaches of the then collapsing Roman Empire — indicating a place of both great wealth and trade importance.
One piece was the lip of a Turkish-Phocaean red-slip plate or bowl. It was a particularly fine and highly prized ceramic that would likely have held pride of place on the table of nobility.
Original excavation work in the 1930s led archaeologists to believe the cliffside landmark may have once been an Early Christian monastery.
Later work has steadily strengthened the idea that it may have been an important Dark Age fortress, held by the king of Dumnonia who filled the void in Cornwall left when the Romans abandoned Britain in 410AD.
MODERN authors don’t have to look far for inspiration. Often, it’s right there on their shelves in learned tomes of history.
Some of the stories are truly fantastic. Others are simply amazing examples of human behaviour.
Dr Katie Barclay of the Adelaide University school of History and Politics says she finds the use of history in popular modern fiction fascinating.
“These are clearly engaged with much of the historic literature, particularly for the medieval period,” she said. “And, as a historian, you watch it, and you’re constantly thinking ‘yeah that’s good’, and ‘no, that wouldn’t happen’, except it’s fantasy so you can’t get annoyed!”
Dr Barclay points out that history and fantasy have had a long and close relationship: The first novels were called “histories” and purported to be based on real events.
“They often were,” Dr Barclay said, “at least to the level that they featured real historical characters if re-imagined to suit the sensibilities of the era”.
And such “re-imagining” is central to the history-fantasy link. The same story is often retold in different ways over hundreds of years, with each incarnation pitched at the tastes and expectations of a new generation, she said.
“But the most inspirational tales for modern writers and audiences are not necessarily those based on the most outlandish stories or supernatural events, but those that relate to unexpected human relationships.”
Here’s just a sample of some of the most eye-catching historical sources you may recognise in popular books, films and television shows.
CAUTION: There are some Game of Thrones spoilers ahead. You’ve been warned.
SCOTLAND’S ‘RED WEDDINGS’
The “Red Wedding” episode from Game of Thrones had fans in shock, with several characters cut down. However there is a precedent — clan-based slaughter in the north of Britain.
“The Scottish ‘Red Weddings’ linger in the historical imagination because of what it says about betrayal and loyalty and human relationships, and because they wiped out whole families, not just because they are bloody,” Dr Barclay said.
The brutal slayings, while not weddings, were regarded as particularly heinous as they breached strict moral codes of hospitality.
In 1691 a terrible betrayal saw most of the key members of clan MacDonald massacred.
The Scottish clans had been summoned to produce a signed document swearing allegiance to King William of Orange. The MacDonald clan, delayed through a series of misfortunes, delivered their oath several days “too late”.
Several months later, a troop of 120 men under the king’s Captain Robert Campbell arrived at the MacDonald’s estates in Glencoe and claimed shelter from the harsh weather.
Hospitality was duly offered, but, after a fortnight of enjoying the MacDonalds’ food, drink and card-games, the soldiers slew about 40 of the clan as they slept in their beds in what would become known as the Glencoe Massacre. The 40 or so women and children that escaped died of exposure.
An earlier, similar, massacre has gone down in history as “The Black Dinner”.
In 1440 the young Earl of Douglas (traditionally called the Black Douglas), 16, and his younger brother David were invited to dine at Edinburgh Castle with 10-year-old king James II.
The story goes that the young nobles were getting along like a house on fire, enjoying food, entertainment and each other’s company until deep into the evening. Suddenly, legend has it, the severed head of a black bull was dropped on the dining table.
The two Black Douglas boys were dragged outside, given a mock trial, and beheaded.
The young king was not likely to have been to blame. The Chancellor of Scotland, Sir William Crichton, had issued the invitations as he felt the Black Douglas clan had grown too powerful.
THE REAL DRAGON SLAYER
If “Smaug” the dragon from J.R.R. Tolkien’s The Hobbit gets your blood racing, imagine what impact the real thing would have had on medieval Europe.
The only encounter with a “dragon” recorded in history happened on the Mediterranean island of Rhodes in the 1340s. The question is, what was the beast really — a crocodile? A giant lizard?
According to the Order of St John’s archives, the beast had established a lair to the south of the fortified city of Rhodes. There, it had begun preying on the local livestock and maidens.
Several Knights Hospitaller are said to have set out to prove their valour by tackling the dragon. After they failed to return, the Order’s Grand Master firmly ordered a stop to such expeditions.
One, however, ignored the order. The French knight Dieudonne de Gozon decided to take on the beast personally. He gathered as many descriptions as he could of the animal from the country folk who had seen it and built a scale model.
He then trained his dogs to attack the creature and practised angles from which he could attack it with his sword and lance.
Once confident, he sallied forth into the countryside and slew the dragon. He was then summarily expelled from the Order for disobedience.
But the public outcry from the peasants about how poorly their hero had been treated soon saw “the Dragon Slayer” restored to the Order and he ended up becoming Grand Master himself in 1346.
“The Rhodes story is not the only crocodile as dragon story going around,” Dr Barclay said. “There is one for St George too — only the crocodile got to Essex! We don’t really know if it was a crocodile, that’s just what a 19th Century scientist thought when he saw a skull in Rhodes that they claimed belonged to the dragon. Given that selling relics was big business during the medieval period and there was 600 years for a ‘dragon skull’ to go missing, decompose (or never exist in the first place) and be replaced with that of a crocodile by an entrepreneurial relic salesman, we don’t really know the truth here. Maybe there really was a dragon!”
HISTORY’S HORRIBLE FAMILIES
There is a reason why the likes of the Tudors keep appearing in books and on our screens. Many were truly awful people from absolutely horrible families.
“Games of Thrones is fascinating,” Dr Barclay said, “not just because of the gruesome deaths and sex, but because these are families defending lineages, committing incest, being wiped out in a single generation.
“We get behind the families because of their relationships to each other, not just because they have dragons.
“Wendy Moore’s Wedlock (a tale described by The Independent as a “misery memoir” of how Georgian Britain’s worst husband met his match; it is “crammed with corrupt surgeons, questionable chaplains, fallen women and gossips”) is also fascinating because of the manipulative and abusive relationship between husband and wife. Then there was Georgina, Duchess of Devonshire — which became the movie The Duchess — a story about a dodgy threesome.”
There is also the true story of James Annesley, the heir to the estate of Anglesea. He was abducted as a child in the 1730s and sold into slavery in the Caribbean. He managed to escape in his late teens and returned to Britain to discover his uncle had inherited his estates. He won the first trial, but died during a drawn-out 10-year appeals process. This inspired stories such as Memoirs of an Unfortunate Nobleman, Peregrine Pickle and The Wandering Heir.
The magic of a glittering, all-dominating sword is a powerful icon of hope and victory. In the case of magic swords, it may be an idea burnt onto our cultural heritage by history.
Some say the legend of Excalibur could have been born from the impact a high-quality Roman sword would have had if it had survived into the Dark Ages of Britain. Such a refined, well-made and strong weapon could indeed win almost magical status among its enemies.
This is likely what happened some centuries earlier, as the Bronze Age collapsed before the onrushing Iron Age. The new grey metal swords cut through bronze as if it was butter. Whole armies could fall in the face of a smaller band of iron-equipped men.
Iron’s impact was not just felt on the battlefield. The entire economy and social structure of Europe was turned on its head as it shifted away from bronze to the tougher, easier, more common metal.
Even the story of pulling Excalibur from the stone may be a cast-back to a long-forgotten time. Bronze blades were cast in moulds of stone before being pulled out and polished.
Iron was to experience a similar revolution when the refinement of steel emerged. It’s an arms race that has never ended. And each age would most likely have had its own “Excalibur”.
But such magic-history links are rare, Dr Barclay said.
“The ‘magical’ element of fantasy allows us to set aside our practical concerns (’that wouldn’t happen’) and go with the story (‘it isn’t real, so that’s fine’), despite the fact that what drives the story could often happen without the magical elements,” Dr Barclay said.
THE BLACK WATCH
The romantic notion of a band of outcast warriors living on the fringes of civilisation who have taken a binding oath to protect the ignorant and ungrateful people they left behind is a common one.
It was no less popular when it was a reality.
The Knights Templar are well known for their supposed mystical secrets and the staged trial that accused them of such. But their real purpose also has passed into legend.
In the early 1100s, a small band of knights resolved to police the roads of the newly captured Holy Land for pilgrims making the dangerous journey from Europe.
To save their souls and prove their devotion the knights adopted the rigid rules and lifestyle of monks, with the added responsibility of protecting Christendom from all its enemies.
The idea spread like wildfire: Soon every second son in Europe was clambering for permission to win glory (and a secure lifestyle) within a rapidly expanding network of farms, forts and fleets all designed to feed equipment, knights and soldiers to a distant chain of castles protecting Jerusalem and the Holy Land.
Many other Orders sprung up, imitating the idea: The Hospitallers and the Teutonic Knights were among the largest.
However, the trials and tribulations of the hot and volatile Holy Land soon caused the chivalric dream to lose much of its gloss. As such, many in the later ranks of the Templars were drafted from “grey knights” who had committed crimes or lost the support of their lords. In return for their service, these warriors were promised the limited freedom the Order offered — as well as a chance to fight, pursue a career and save their souls.
WINTER IS COMING
In fact, it’s already been. Several times.
We’re talking weird seasons that last for years — not the typical annual event.
In 536AD a 10-year winter kicked off in the Northern Hemisphere. Scribes in Europe and Asia reported bitterly cold conditions that seemed to never end. The sun was darkened, they said, and remained “small” even into the depths of summer.
Famine, war and plague quickly followed as crops failed and hungry hordes started streaming south.
Tree rings and ice core samples have since confirmed these events and tied the decade-long winter to the eruption of a supervolcano in El Salvador. But many academics consider that is in itself not enough to explain the duration of this winter. Some say Earth may have also passed through Halley’s Comet’s dusty tail.
Another unusual winter struck Europe in 1816. Known as “The Year without Summer”, hunger once again quickly swept across Europe as crops shrivelled up.
This event has been tied to the 1815 super eruption of Mount Tambora in Indonesia. The dust in the upper atmosphere from this eruption produced an average 1C drop in temperatures worldwide.
From Game of Thrones to The Narnia Chronicles, myth continues the reality.
With the heavy rain proving the church roof is now definitely watertight, a small gathering greet the grant representatives from Listed Places of Worship Roof Repair Fund which contributed over £70,000 towards the costs of re-roofing and repairs. From left: Archdeacon of Bodmin Ven Audrey Elkington, roof repair fund programme manager Sarah Palmer and grants officer Sarah Drewell, roof and tower restoration project team members Laurence Harvey, Richard Cavin and David Attwell. Picture: Peter Glaser
A CORNISH church founded by the Knights Templar has been saved from ruin thanks to nearly £90,000 of grants and huge efforts from the local community.
St Catherine’s Church lies in the wild hamlet of Temple on Bodmin Moor. It has had a chequered history from its origins as an outpost for the secretive medieval order of the Knights Templar to its reputation in the 18th century as the Gretna Green of the South West.
Now, after 12 weeks of construction and over 18 months of planning, this historic church has been restored to glory. It was the 2015 quinquennial survey that reported the church roof as ‘nailsick’ and the resulting water damage meant that the church’s days were numbered. The village community rallied and in partnership with Blisland Parochial Church Council secured the funding, planning consents and contractors to bring the church back from the brink.
The Listed Places of Worship: Roof Repair Fund came to Temple’s aid with a grant of £70,300, which together with £10,000 from the National Churches Trust and another £5,000 each from the Cornwall Historic Churches Trust and the Blisland and Temple Preservation Society put the project to save the church well on its way.
The final funds were all thanks to the Blisland PCC, the Scottish Knights Templars and the Headley Trust along with local fundraising events and concerts.
Karen Dickin, chair of the Temple village sub-group, said: “It’s been a real team effort. So many individuals have pledged their time and expertise to make this happen and the result has been the rescue of a church that is our best and only community asset.”
All-in-all it’s taken over £117,000 to complete the works. This has paid for contractors W R Bedford to re-roof the entire building, install a new drainage system and complete crucial timber repairs to the structure itself. The sensitive reuse of the original ‘fishtail’ slates means that the church retains its old world charm, and the scheduling of works and choice of materials has meant that the three resident colonies of bats have been left unharmed. The church is many things to many people — a place of calm and refuge, a centre of the community, a touchstone to history. Thanks to this project the church can continue to be all those things for many years to come.
The story of England’s heroic King Arthur and his arch enemy Mordred has been a popular tale since the medieval era. It has been told and retold and been the subject of paintings and films as well as a succession of books. There are many differences between the narratives. For instance, sometimes Mordred is depicted as Arthur’s illegitimate son from his half-sister, or he might be portrayed as the son of the King of the Orkneys. He is also sometimes described as a member of King Arthur’s court who rebelled against him. However, the conflict between these two warriors and Mordred’s death in battle with Arthur are subjects of general agreement.
From the British Isles the legend of Arthur was carried to the European Continent and later to other English speaking countries around the world. The popularity of the first name Arthur in so many countries can also be traced to the fame of this legendary hero monarch. Today it is going to be hard to find someone educated in one of these lands who has not heard of King Arthur and is also able to name a few other of the characters and places featured. Although parts of the story are so well-known, its history and significance are not so widely appreciated.
The Origins of the Legend
Historians continue to speculate if King Arthur, Mordred and the other scenes and players in the legend have any historical basis. For the most part the story is associated with fifth or sixth century Wales. If a prototype for Arthur did exist he might have been a Celtic chieftain rallying his forces to fight off the Saxon invaders. References have been found to figures that might have been the model for King Arthur in some of the scare writings that survive from the Saxon period in British history, but none of the associations made are conclusive. Two Medieval writers share the responsibility for publicising the tale and incorporating in it many of the elements familiar to us today.
In 1138 Geoffrey of Monmouth wrote a history of the Kings of Britain. Many allege that he drew more on his imagination than on any older records that had come to his notice. Others claim that some of what he wrote corresponds with information in earlier documents that have now come to light. Whatever the authenticity of his facts, Geoffrey introduced his readers to a King Arthur, Queen Guinevere, Merlin the Wizard and of course, King Arthur’s arch enemy Mordred. In this version of the tale King Arthur goes to fight against the Roman Empire in Gaul (France of today). The evil Mordred takes advantage of the opportunity to usurp Arthur’s throne and take Queen Guinevere as his wife. The news reached King Arthur on campaign. He returns to his kingdom and fights a fierce battle with Mordred at a place called Camlann, Mordred is killed but Arthur is mortally wounded.
In the late medieval period Thomas Malory published a revised and comprehensive version of the Arthur stories, entitled “The Death of Arthur” (Le Morte d’Arthur). The publication of this work coincided with the introduction of the printing press. Malory’s work became one of the first books printed in England and standardised many aspects of the Arthur legend, for example, the idea of Arthur and his knights sitting at the Round Table dates from this publication. The bitter enmity between Arthur and Mordred continues to form a key part of the story but in a key change from Geoffrey of Monmouth’s narrative Queen Guinevere remain loyal to King Arthur.
Why have these tales survived the years?
The fact that the reader of this article is likely to be familiar with tales of Arthur and Mordred is a testimony to their enduring power. Yet they are more than simple stories. The Arthur tales have contributed culturally to the shaping of Britain’s identity. Over all these years they continue to serve a useful purpose. People are attracted by the idea that there was once an age when chivalrous knights rode about the British countryside fighting treacherous enemies like Mordred, or even supernatural dragons and other monsters. During World War Two, tales of Arthur’s bravery against the country’s enemies provided a rallying point for resistance to German aggression. Today the interest is probably largely of an escapist nature. Regardless of whether or not there is a basis in history, it seems that tales of Arthur and Mordred still serve a purpose in our hi-tech age.
By: Jane Richardson in newhistorian.com