Month: May 2018

Pentecost Benedictio Militis, Arraiolos 2018 – The Ceremony

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A substantial part of the ceremony of adoubement is conducted privately, only accessible to members of the Order. The act of adoubement itself, however, is public. It becomes a commitment not only to the Order but also to the world. Having this in mind, it’s not easy to describe the complete ceremony as it is conducted in the priory of Portugal, since it strictly follows Tradition, starting just moments before sunset, leading to a night long vigil where the future Knights and Dames are led to contemplate their life and prepare to partake of a new quality, that is both physical and spiritual, that could change their lives.

It is preferable, therefore, that we let images and quotes fill the gaps of what is customary to make public and what is deemed as more suitable to keep reserved and personal.

Alba Avis

“Once they have installed themselves in this holy house with their horses and their weapons, clean it”, Saint Bernard of Clairvaux

Ex Occidente Lux

“Colors are light’s suffering and joy”, Johann Wolfgang von Goethe

Lux in Flamma

“Danger or victory depends on the disposition of heart”, Saint Bernard of Clairvaux

In Tenebrae

“This is, I say, a new kind of knighthood and one unknown to the ages gone by. It ceaselessly wages a twofold war both against flesh and blood and against a spiritual army of evil in the heavens.”, Saint Bernard of Clairvaux

Sola Fide

Spero in Fide

Post Tenebras Lux

“Go forth confidently”, Saint Bernard of Clairvaux

Gaudium

Benedictio Militis

“If some perhaps find my work unsatisfactory or short of the mark, I shall be nonetheless content, since I have not failed to give you my best.”, Saint Bernard of Clairvaux

All photos were taken by members of the Order, including Novices, Squires, Knights and Dames. For a full credit list, please visit our Facebook Group.

The Order has the following new Knights and Dames: Catarina Silva, DTJ; Cristina Vargas, DTJ; Filipe Silva, KTJ; Inês Ferreira, DTJ; João Gonçalves, KTJ; Jorge Amador, KTJ; Jorge Cravosa, KTJ; Pedro Bernardo, KTJ; Vera Reis, DTJ. The Order also received new Novices and Squires.

After the Benedictio Militis and the Pentecost Mass, the Order joined the Idegeo [Association] of Professor Manuel J. Gandra‘s celebration of Pentecost in Arraiolos. The Portuguese traditional Império do Divino Espírito Santo, in preparation for the Third Age announced by Joachim of Fiore or the Fifth Empire (of the Holy Spirit) referred to by poet Fernando Pessoa and many others, is comprised of an Auto, with the Parade and Coronation of the Child King, followed by the Bodo do Império, a popular feast and meal shared between all the participants as the anticipation of an era of the universal fraternity of mankind. This is the second year that the Priory of Portugal supports and attends these celebrations as part of the annual calendar.

For inquiries, feel free to email osmthu@mail.com

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Pentecost Benedictio Militis, Arraiolos 2018 – The Lunch and the Conference

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Master Antonio Paris with Fr+ Luis de Matos, Chancellor and GP Portugal

The solitary Knight is often depicted in old chivalry tales as the perfect image of wisdom and valour. Indeed, each Knight and Dame of the Templar Order today should aim to live up to that expectation. But the Order becomes stronger when two or three meet in person and work towards our goals That is why the OSMTHU has long established the habit of adding to the already satisfying lunch or dinner event – a moment of friendship and joyful conviviality – a new moment of learning and sharing of ideas and experiences. And that moment is the Conference or Round Table.

The Council Meeting

Friday was a peaceful day in Arraiolos. The beautiful village in the Portuguese region of Alentejo was the perfect setting to the Magisterial Council meeting Master Emeritus Antonio Paris promoted. But no rush. No worries. Life is taken lightly here in Alentejo. After everyone arrived at the Pousada of Nossa Senhora da Conceição, an old convent restored to it’s glory and opened to the public as an excellent hotel, it was time to find a place to have a light meal. Commander Rui herdadinha was already waiting, with a full afternoon of leisure in mind: typical local food, a walk to the Arraiolos castle, a stroll down the narrow streets of the village, famous for its rugs and tapestries.

Master Antonio Paris, Sister Patricia Oyarzun, Fr+ Leslie Payine, Seneschal and Prior of England and Wales

In the late afternoon the Council met, welcoming two of the visiting Order leaders so that the discussion could be broader and more informed. Master Paris lead the meeting, in which he announced his intention of resuming his Office (see the news and details here), working for unity in the Templar world. Fr+ Luis de Matos, Chancellor and Interim Master and Fr+ Leslie Payne, Seneschal were also present, with invited guests Sister Patricia Oyarzun and Fr+ Vinko Lisec, Prior of Croatia.

The discussions were extensive and working plans for the next two years were laid out and analysed. That day the Declaration of Arraiolos was drafted, to be signed in the following days.

Master Antonio Paris, analyzing a draft of the Declaration

Gala Lunch

Masterly organized by Commander Rui Herdadinha, with the precious help of Fr+ Filipe Beja, Director at the Pousada, the Gala Lunch was a great opportunity for Templars from all over Portugal and members of foreign delegations to meet each other, exchange views and experiences, talk about their templar projects and ambitions (we’re involved in projects such as the Portuguese Templar Santiago Way, the Feytorias Project, a research project, of which more will be known shortly) and generally having a great time.

Present at the Lunch was the full leadership of the Portuguese Order, including Fr+ Luis de Matos, Prior General, Fr+ Luis Fonseca, Commander of Lisbon and In Ecclesia Bishop Christophorus de Lusignan, Fr+ Paulo Valente, Commander of Sintra, Fr+ Victor Varela Martins, Commander of Laccobriga, Fr+ Rui Herdadinha, Commander of Arraiolos and Sister Paula Valente, Preceptor of Porto, as well as Novices, Squires, Knights and Dames of the Priory.

Visiting delegations were composed by Master Antonio Paris, Fr+ Leslie Payne, Seneschal and Grand Prior of England and Wales, Fr+ Vinko Lisec, Grand Prior of Croatia with Fr+ Lovro Tomasinec and Sister Paricia Oyarzun, currently Cabinet Secretary to the Council. Finally, the Lunch was further honoured by the presence of Fr+ Antonio Andrade, Prior General of Portugal of the OSMTH and his Chancellor Fr+ Fernando Castelo Branco.

The Conference

The opening session of the Conference took place in the Arraiolos Library on Friday night, with the presence of a representative of the local Municipality authority, the speakers and Commander Rui Herdadinha.

On Saturday the main session opened at 3pm, under the general theme “Conflict and War- The Concept of Just War in the 21st Century”. Messages were sent by Priorires and Templar authorities that were not able to be present, from all over the world. These messages were read and will be added to the Proceedings in order to be published later in the year as a compilation book on the subject.

The Commander opened the session thanking all those who contributed with papers and messages to the Conference, introducing Master Paris who reminded everyone of the history of the Just War concept, including the contribution of Saint Agustin and Saint Ignatius.

Fr+ João Pedro Silva talked about Spiritual Chivalry, bringing up some of the main tenants of the Order, followed by Fr+ Luis Fonseca, Commander of Lisbon who read a passage from the “City of God” by Saint Agustin, commenting on it.

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Finally Fr+ Vinko Lisec, with the aid of Fr+ Lovro Tomasinec on the translation, told about his personal experience of war, reminding everyone that Croatia was torn between conflicting armies just a few years ago, when Yugoslavia broke apart. His account of the current refugee situation in his country, as well as of the disappearance of a national citizen in Egypt, kidnapped and used as ransom bargain by extremist groups, threatened to be beheaded in a video and since in an unknown location, had everyone gripped.

The session was brought to a close at the end of the afternoon. After a short visit that the Library of Arraiolos merited, as one of the oldest public buildings in town, having served as the Mala Posta (old Royal Postal Service of Portugal), it was time for group photos.

Some of the attendees then rushed to nearby coffee shops and terraces to get some water or a cold beer that would help to bring solace to a hot sunny afternoon in Alentejo. Others formed smaller groups debating the theme of the day and preparing for the evening’s ceremonies. After all, in less that one hour, the National Chapter was due to open in the Convent.

For inquiries, feel free to email osmthu@mail.com

NEXT: Pentecost – The Ceremony

Master Antonio Paris resumes his term of Office in the OSMTHU

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During Pentecost celebrations in Arraiolos, Portugal, in May 2018, Master Antonio Paris, in the presence of his Chancellor and Seneschal, sign the Declaration of Arraiolos, effectively resuming the term for which he had been elected in 2004, in order to prepare the free, universal and transparent elections of a new Master and the unity of the Order.

Declaration of Arraiolos

In the same Declaration, Master Antonio Paris made three new appointments to his Magisterial Council:

  • Sister Patricia Oyarzun, Cabinet Secretary to the Master
  • Fr+ Vinko Lisec, Prior of Croatia, Advisor and President of the Committee on Electoral Procedure
  • Fr+ Luis Fonseca, Episcopo Christophorus de Lusignan, Chaplain

After 2007, when Master Antonio Paris suspended his term in office due to personal health problems and professional commitments with his local government, where he has taken a few official leadership positions, the Chancellor Fr+ Luis de Matos organized new elections, according to the Rules of the Order. Please see the article in the Templar Globe about that subject.

OSMTHU Electoral Procedure Opened until March 2009

At the end of the term, no candidates presented candidatures. It was decidade by the Magisterial Council that the Chancellor would also assume the role of Interin Master and prepare the needded background work to call new elections. In the folowing years several Priories left the Order, leaving only two possible candidates for the position and very few voting members. The OSMTHU prides itself of always holding free universal elections audited by independent partners. The Magisterial Council prepared new elections throughout 2016 and 2017, however the strict rules for candidacy (among them the requirement that candidates to the Mastership must have served as elected national Priors) determined that no suitable candidates presented themselves.

Currently, the Order maintains as Master Fr+ Antonio Paris that will finish his term of election after the Declaration of Arraiolos and  Fr+ Luis de Matos, who was Interim Master between 2007 and 2018, returns to his position as Chancellor of the Magisterial Council.

Master Emeritus Fernando de Toro-Garland (left in the photo) passed away in June 2017.

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What exactly is the Holy Grail – and why has its meaning eluded us for centuries?

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Type “Holy Grail” into Google and … well, you probably don’t need me to finish that sentence. The sheer multiplicity of what any search engine throws up demonstrates that there is no clear consensus as to what the Grail is or was. But that doesn’t mean there aren’t plenty of people out there claiming to know its history, true meaning and even where to find it.

Modern authors, perhaps most (in)famously Dan Brown, offer new interpretations and, even when these are clearly and explicitly rooted in little more than imaginative fiction, they get picked up and bandied about as if a new scientific and irrefutable truth has been discovered. The Grail, though, will perhaps always eschew definition. But why?

The first known mention of a Grail (“un graal”) is made in a narrative spun by a 12th century writer of French romance, Chrétien de Troyes, who might reasonably be referred to as the Dan Brown of his day – though some scholars would argue that the quality of Chrétien’s writing far exceeds anything Brown has so far produced.

Chrétien’s Grail is mystical indeed – it is a dish, big and wide enough to take a salmon, that seems capable to delivering food and sustenance. To obtain the Grail requires asking a particular question at the Grail Castle. Unfortunately, the exact question (“Whom does the Grail serve?”) is only revealed after the Grail quester, the hapless Perceval, has missed the opportunity to ask it. It seems he is not quite ready, not quite mature enough, for the Grail.

But if this dish is the “first” Grail, then why do we now have so many possible Grails? Indeed, it is, at turns, depicted as the chalice of the Last Supper or of the Crucifixion or both, or as a stone containing the elixir of life, or even as the bloodline of Christ. And this list is hardly exhaustive. The reason most likely has to do with the fact that Chrétien appears to have died before completing his story, leaving the crucial questions as to what the Grail is and means tantalisingly unanswered. And it did not take long for others to try to answer them for him.

Robert de Boron, a poet writing within 20 or so years of Chrétien (circa 1190-1200), seems to have been the first to have associated the Grail with the cup of the Last Supper. In Robert’s prehistory of the object, Joseph of Arimathea took the Grail to the Crucifixion and used it to catch Christ’s blood. In the years that followed (1200-1230), anonymous writers of prose romances fixated upon the Last Supper’s Holy Chalice and made the Grail the subject of a quest by various knights of King Arthur’s court. In Germany, by contrast, the knight and poet Wolfram von Eschenbach reimagined the Grail as “Lapsit exillis” – an item more commonly referred to these days as the “Philosopher’s Stone”.

None of these is anything like Chrétien’s Grail, of course, so we can fairly ask: did medieval audiences have any more of a clue about the nature of the Holy Grail than we do today?

Publishing the Grail

My recent book delves into the medieval publishing history of the French romances that contain references to the Grail legend, asking questions about the narratives’ compilation into manuscript books. Sometimes, a given text will be bound alongside other types of texts, some of which seemingly have nothing to do with the Grail whatsoever. So, what sorts of texts do we find accompanying Grail narratives in medieval books? Can this tell us anything about what medieval audiences knew or understood of the Grail?

The picture is varied, but a broad chronological trend is possible to spot. Some of the few earliest manuscript books we still have see Grail narratives compiled alone, but a pattern quickly appears for including them into collected volumes. In these cases, Grail narratives can be found alongside historical, religious or other narrative (or fictional) texts. A picture emerges, therefore, of a Grail just as lacking in clear definition as that of today.

Perhaps the Grail served as a useful tool that could be deployed in all manner of contexts to help communicate the required message, whatever that message may have been. We still see this today, of course, such as when we use the phrase “The Holy Grail of…” to describe the practically unobtainable, but highly desirable prize in just about any area you can think of. There is even a guitar effect-pedal named “holy grail”.

Once the prose romances of the 13th century started to appear, though, the Grail took on a proper life of its own. Like a modern soap opera, these romances comprised vast reams of narrative threads, riddled with independent episodes and inconsistencies. They occupied entire books, often enormous and lavishly illustrated, and today these offer evidence that literature about the Grail evaded straightforward understanding and needed to be set apart – physically and figuratively. In other words, Grail literature had a distinctive quality – it was, as we might call it today, a genre in its own right.

In the absence of clear definition, it is human nature to impose meaning. This is what happens with the Grail today and, according to the evidence of medieval book compilation, it is almost certainly what happened in the Middle Ages, too. Just as modern guitarists use their “holy grail” to experiment with all kinds of sounds, so medieval writers and publishers of romance used the Grail as an adaptable and creative instrument for conveying a particular message to their audience, the nature of which could be very different from one book to the next.

Whether the audience always understood that message, of course, is another matter entirely.

in theconversation.com by Leah Tether